Collective Soul

Atlanta,  GA.

Atlanta, GA.

“Heaven Let Your Light Shine Down”
COLLECTIVE SOUL:

“BUZZ” Article: Feb- Mar 2013 (#23-W)

Hello, Hello It’s good to be back,
Recently when I asked for input on my article’s I heard many things, 1 being “You only cover Vintage bands, nothing contemporary” So this time I decided to cover 1 of my favorite bands from the 90s & 2000s, so for you vinyl collectors this means “No, they are not on Vinyl Record LPs, this is a CD & Cassette Band” I first heard of “Collective Soul” about Jun 1994 I would guess, as our customers continued to come in and ask for the new “Skynyrd” song “Shine” we then figured out they were in fact asking for “Collective Soul” we sold tons of the “Cassingle” (the format that replaced 45 Vinyl Singles about that same time) of “Shine” (the flipside contained an edited version) at The “RecordShop #66” @ Southridge Mall, where I worked from 1991- 1995. COLLECTIVE SOUL released 8 CDs & 29 Cassingle/ CD Singles & 22 Music Videos starting in 1993 and it goes like this;

> Breathe < It all started in Stockton (Atlanta), Georgia home of other bands like "B-52s" "R.E.M." & "Black Crowes" Drummer Steve Gorman in Nov 2008 "Yea, we used to play a lot shows with those guys (Collective Soul) back home (Georgia)" when Ed Roland (Edgar Eugene Jr. 3 Aug 1963) & his younger brother guitarist Dean (10 Oct 1972) & Drummer Shane Evans (who had been in the band 'Marching Two Step’ with Ed in the 80s & 90s) & Bassist Will Turpin (William Ross 8 Feb 1971) who's father owned the recording studio where Ed Roland worked, & recorded demos that would end up being released as the bands 1st CD, & finally Guitarist Ross Childress, were put together to tour behind a demo "Shine" recorded by Ed Roland, that was getting airplay on a Florida radio station. > Love Lifted Me < "Hints, Allegations & Things Unsaid" This 1st CD was mainly recorded by Ed Rolland as demos but ended up getting released originally on Rising Storm Records in Jun 1993, then cleaned up a bit and re-released on Atlantic Records 22 Mar 1994 with "Shine" hitting #11 Mar 1993. I have to admit "Shine" is my favorite song of this CD with "Love Lifted Me" being 2nd. The band was asked to play "Woodstock '94" on Fri 12 Aug 1994 having only 1 Cd & 1 Hit under their belt. In Feb 1995 the "Jerky Boys: Movie" came out with a new song by the band "Gel" which I thought was great follow up to "Shine" followed by "The Blue Album" on 14 Mar 1995, my favorite off this CD is "Where The River Flows". This CD has the hits: "December" a #20 hit in Mar 1995 (on Cassette Maxi- Single with these other tracks: "Sister Don't Cry" (acoustic non-album) "Where The River Flows" & "December" live from 14 Mar 95 @ Thunderdome in St. Petersburg, FL. & later "World I Know" hit #19 on Nov 1995 with B-Side: "When the Water Falls" (Live Acoustic Version) also this same year they recorded these songs for these various CDs 'Jealous Guy' on "Working Class Hero" & 'The Bugaloos' on "Saturday Morning Cartoons" & 'Blue Christmas' on "You Sleigh Me" & a RAAIN: Public Service Announcement, the band was very busy in 1995. > Precious Declaration < The band's 3rd CD "Disciplined Breakdown" is released on 11 Mar 1997 with "Precious Declaration" being my favorite off this CD. This album was recorded under strenuous circumstances due to a lawsuit with the band's former manager. Later in Dec97 the ”Scream 2" soundtrack contained an early version of "She Said" "Dosage" the band's 4th comes out on 9 Feb 1999 with "Generate" being my favorite off this CD. The song 'Run' was used on the soundtrack "Varsity Blues" released in Jan99 & 'Heavy' was used on the video game PS2 "NHL 2001" released on 25oct2000 but the song "She Said" was actually a hidden track on the CD “Dosage” Ed Roland "So in a wise move we made the most popular song on the CD a hidden track?" As well as a PC only track "Almost You" Ross Childers "The model (on the cover) was a real trooper, they put honey on her face and used actual bees, it gave me the willies, most people think the bees were added (to the photo)" The band's 5th CD "Blender" is released on 10 Oct 2000 my favorite off this one is "You Speak My Language" a song not written by the band. This, the bands most blatant attempt at a Pop Top 40 CD, 2 singles are released off this CD "Why Pt2" & “Perfect Day" with Elton John. > Next Homecoming < The band losses its contract with Atlantic Records. A Label Rep. I spoke with at the time commented "Well, that haven't had any really big hits since the 1st 2 CDs, & we have been cleaning house on non-performing bands (Top 40 selling bands) so we decided it was time to let them go" So a 'Greatest Hits' package is released "7 Year Itch" on 18 Sep 2001 with 2 new tracks "Energy" &”Next Homecoming" both being stellar in my opinion. Then comes the 1st time I get to see the band in concert & a brief interview afterwards: Northrop Auditorium 19 April 2001 Opener "Fastball" Sponsored by Nokia, Ed announces during the show "Well, if you're gonna get a Cell Phone you might as well get a good one that works" Where the River Flows Precious Declaration Goodnight Good Guy 10 Years Later December Compliment Boast The World I Know Vent Blame Unknown Song She Said Perfect Day Why, Pt. 2 Gel Heavy *Encore: Run Simple Shine During the show a fan holds up a sign that reads: "Dean is Yummy" Ed reads out loud and responds, "Well that's interesting, as I have never tasted my brother I would not know, if that's true" Will Turpin: when asked if we was a good ol' boy "Yes sir, we're from Atlanta" Shane Evans: "Oh, I have been playing with these guys almost all my life, since Jr. High" Dean Roland "Thanks, man" in response to asking him to sign my CD & informing him I really love his style of guitar playing. Ross Childress: "Wow, you have 1 of these (1st Issue of CD), Ed look at this" Ed Roland "Sorry, I'm late, I had to take a shower" when asked where he's from "From Atlanta, born and raised" To a fan next to me "Oh, you have 1 of these I think there was only a few thousand pressed, basically this was just the demos I did, Atlantic cleaned them up a bit, but it's very close to how I originally recorded it" After the tour ends in 2001 Childress is released from the band & replaced by his guitar tech Joel Sefton Kosche (20Sep1969), then in 2003 Evans leaves the band, replaced by: Ryan Hoyle from 2003- 2008. > Rocket Science < I then caught the band a 2nd time on 29 Aug 2004 in Minneapolis @ The Quest. I was able to talk with Bass Player Will Turpin after the show: Turpin "Yep, I'm an O.G. 1 of the 3 originals left" On Ross, “Well he did some things the rest of us didn't agree with, so he sort of wore out his welcome. On Drummer Evans "He told us he was going on sabbatical and never came back" The band now form their own record label "EL Music Group" handled by: 'Rocket Science' the release "Youth" on 16 Nov 2004 "Counting The Days" I feel is the strongest track on this CD, this song uses a Metallica sample & also used in NASCAR 3D: The IMAX Experience. 2 other singles are released from this CD "Better Days" & "How Do You Love". On 24 May 2005 "From The Ground Up" is released this is more or less an "Un-Plugged" EP-CD. Then my friend Steve R. got me & my friend Lisa into see the band on 8 Nov 2005 in Maplewood @ The Myth with "Better Than Ezra" opening. Ed Roland to me "And who's this lovely young lady (Lisa F.)" Steve to me: "Look at Ed, he's such a Rock Star" Drummer Hoyle "We'll I had to adapt to their signature sound of alternating on 2 snare drums" on being asked what was the most difficult part of taking over for Evans on drums The next time I saw the band live they were opening for KISS @ Rockfest in Cadot, WI. 23 Jul 2007 the thing I remember most is Guitarist Kosche sang lead on "I Don't Need Anymore Friends" the 1st time I ever saw anyone sing lead besides Ed, come to find out this is a song from their next CD "Afterwords" that came out on 28 Aug 2007 an exclusive to Target (which opened their 1st store right here in Roseville in 1962) but later came out with a bonus disc released on 9 Dec 2008 with "An Evening With" "Ain't That Enough” & "Give" The last time I saw the band was in Des Moines, IA. on 26 Jun 2009 for the Arts Festival with Gavin DeGraw as an opener with their new & 3rd drummer Cheney Brannon. Once again shortly before their new CD is released "Rabbit" is released on 25 Aug 2009 & once again this one contained a bonus disc with "Staring Down" "She Does" & "Heart To Heart" this band is very prolific & reminding me of the 60s bands I have written about in the fact they have so many extra tracks they could release another full CD of songs not on other CDs, some 27 bonus, alternate or Non-LP tracks overall, outstanding. In closing I really feel this band could do it all, from hard rock to catchy ballads, one of my all time favorites to come out of the 90s into the 2000s & still together. MrZERo: RLSchwinden

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BadFinger

The special love I have for you, my baby blue
“BUZZ: Newspaper Article” Aug- Sep 2011 (#6-F)

This month I’d like to cover my girlfriend’s favorite band “Bad Finger”

so this one’s for you Sweetie !

When I was a kid growing up in Sioux City, Iowa my favorite bands in order where The Monkees, Steppenwolf & The Beatles. Now I spent a whole lotta time in our front entry way listening to a giant AM Radio from the early 50s my Dad picked up somewhere, I used to hear my Favorites like Ringo Starr’s “Photograph” & Gordon Lightfoot’s “Sundown” but I also used to hear a band that kind of sounded like The Beatles, yet wasn’t The Beatles because they had broken up… so I went to Woolco and looked for this band I heard on the radio and it turns out it was in fact “Bad Finger” and oddly enough they were on the very same record label as The Beatles and even had a song written by: Paul McCartney !!!! and so the story goes….kinda like this;

* Ivey Place…1961- 1968

It all started with Pete Ham (Peter William Ham, 27 April 1947, Townhill, Swansea- 23 April 1975) and Ron Griffiths, Roy Anderson & David Jenkins come together in 1961 in Swansea, Wales UK performing under a few names such as “Black Velvets” & “Wild Ones” before they settled on the name “The Iveys” after the name of a street where Pete was from,. sometime in 1964 . Enter Drummer Mike Gibbins (Michael George Gibbins, 12 March 1949, Swansea -4 October 2005) in Mar 1965. Then sometime in 1966 Tom Evans (Thomas Evans Jr., 5 June 1947, Liverpool UK -19 November 1983) joins the band. In Jun 1966 Bill Collins was managing the band and eventually signed the band to a 5 year contact on 8 December 1966. The Beatles confidant Mal Evans & Apple records A&R man Peter Asher saw the band at the Marquee Club in London on 25 Jan 1968. Evans pitched and got approval from all 4 Beatles and “The Iveys” became the 1st non-Beatle act on Apple Records. They’re first single “Maybe Tomorrow” was released 8 Nov 1968 a 2nd single “Dear Angie” was released in Jul 1969 and an LP “Maybe Tomorrow” was released in limited counties.

*If You Want it…1969- 1970

Enter Paul McCartney… and Apple Records’ Neil Aspinall recommended a name change for the band in reference to an old working title of a Beatles song titled “Bad Finger Boogie” which turned out to be “With a Little Help from My Friends” in addition to McCartney offered up a “White Album” out-take titled “Come and Get It” in Aug 1969 to be used in the Ringo Starr film “Magic Christian”, Paul also produced a song “Carry on Till Tomorrow” for the film “Rock of All Ages” with 2 other songs by the band on the soundtrack album as well. In Oct 1969 with the name change also came a band member change out went Ron Griffiths, enter main stay Joey Molland (Joseph Charles Molland, 21 June 1947, in Edge Hill, Liverpool) “Come and Get It’ was released Jan 1970 and sold over a million copies world wide, “Magic Christian” was released in 1970 (without Molland’s musicianship).

March 1970 the band began recording material for they’re new LP “No Dice” featuring “No Matter What” which had been rejected as a single at first, but upon it’s release hit #8 in US. Later in 1970 the band worked with the 3 other Beatles, on Ringo Starr’s 45 “It Don’t Come Easy” George Harrison’s LP “All Things Must Pass” and involvement with John Lennon’s “Imagine” LP. As well as writing “Without You” a #1 hit for singer/ songwriter Harry Nilsson in 1971.

In one of my many conversions with Joey Molland he told me “I still own the Gibson I played on Harrison’s album” While on the band’s first US tour on Fri 16 Oct 1970 St. Thomas College, Gym St. Paul, Minnesota, Molland met his wife of 37 years Kathie Molland (9 Jan 1947- 23 Mar 2009) a former model for “Genie in the Bottle Highlights” hair product. Kathie told me in 2008 interview “His band played the local collage, then they were hanging out at “Depot Club” (now First Ave) Joey saw me and followed me around like a puppy dog” when I asked her about her modeling career she said “Well, the wasn’t much to it, stand here, hold this, bend over that, wasn’t real hard work” and laughed. It was also in Nov 1970 the band signed a deal (with the devil) Stan Polley.

* Can You be Straight Up… 1971-1973

The Spring of ’71 band embarks on recording their 3rd album “Straight Up” released in Dec 1971 produced by: Geoff Emerick, George Harrison & finished up by Todd Rundgren yielding the hits: “Day After Day” a #4 Billboard Hit & “Baby Blue” at #14 on the charts. It was at this time the members of the band were growing weary of the constant comparisons to The Beatles. In addition too, they’re Manager Polley was creating a situation where the band was not receiving their monies due. So in 1972 the band saw constant touring and not many recording sessions. The band attempt to produce themselves which resulted in delaying the final result until Chris Thomas was brought in to finish up their final LP for Apple “Ass” in Nov 1973 with the 45 “Apple of My Eye” the cover is credited to Evans.

* Enter the Rabbit… 1974- 1975

Roughly 6 weeks after the “Ass” album sessions were over in early 1974 the band started work on their next LP “Badfinger” (For Love or Money) for their new record label “Warner Bros” Polley had signed them to what seemed like a lucrative deal (at the time). However because the 2 records were recorded so close together they are very similar in content. Releasing 2 singles “Love is Easy” & “I Miss You” embarking on a US tour a concert in March was recorded at the Cleveland Agora for a potential live album, which did not materialize. Finishing up the Us tour the band started recording their 2nd LP for WB “Wish You Were Here” recorded at Caribou Ranch in Colorado and in London at George Martin’s studios. Released in Fall 1974 to positive reviews the album was withdrawn to avoid further legal entanglement. Inner band turmoil result in a new member Robert ‘Bob’ Jackson (6 Jan 1984 Coventry UK) on keyboards & vocals and the departure of Joey Molland of his own choosing in Dec ’74. Manager Polley pressured the band to return to Apple studios sometime in 1975 to work on their 3rd LP for “WB” recorded in just 11 days “Head First” would not be released until the year 2000. I do remember a story (rumor) in the late 80s that Gibbins was shopping the master tapes around to find a label to release the 1975 LP.

* Looks like The end….1975
Things were not going well for the band at this point. Many law suits being filed, dropped by WB, the last album turned in will not be released. Pete Ham was very despondent. After a night of drinking with band mate Evans on 24 April 1975 around 4am Pete Ham hanged himself in his garage leaving a note to his girlfriend & her son, his daughter Petera was born a month after his death. This was the end of the original “Badfinger”

*A Shiny New Name…1977- 1981
In late 1977 2 US musicians Joe Tansin on guitar & Kenny Harck on drums enlisted Molland and Evans on a California visit to form a new band, christened “Badfinger” at Electra Records suggestion. Their come back album “Airwaves” was released in 1979 with the 45 “Love is Gonna Come at Last” hit #69 on the charts. Then recruiting Tony Kaye (Anthony John Selvidge 11 Jan 1946 Leicester UK) from “YES” on keyboards & Peter Clarke on drums from “Stealers Wheel” It was in 1981 the ‘New’ band releases their next LP “Say No More” on Radio Records the single “Hold On” charted at #56 however now with new members Richard Bryans (Aviary) playing drums and Glenn Sherba on guitar.

*Another Death in the Family…1982- 1983
By 1982 Molland and Evans were touring in 2 separate bands called “Badfinger” with Gibbins and other post- Pete Ham band members and other musicians from bands such as “Grass Roots” & “Chicago” once again plagued by ill will and law suits. It is reported (rumored) that sometime after a heated argument between Evans and Molland, on 19 Nov 1983 Tom Evans hanged himself in his garden at his home in Richmond, UK. It is said that the note he left behind said “He wanted to go out the same way his friend Pete went”

*Day After Day….1984 and on
In the after math Molland, Gibbins & Jackson reform “Badfinger” and play some 31 dates as the “20th Anniversary of British Rock n Roll” they continue to perform together on and off till 1989 when Gibbins departed for the last time. Sometime during this a Local Des Moines, Iowa Guitar Hero Rob Forest (of DVC) was the lead singer and guitarist in the band. I have spoken to Joey many times over the past 8 years, I find him to be of quite good nature and incredibly funny, he once told me one of his favorite films was “Day of the Triffids” from 1962. Joey and his brother live in the Twin Cities area and have a band “Shakespeare’s Peace Pipe”

I approached Joey Molland about an interview for this article Mar 2011 he responded “You know I have talked a lot about this over the years, I’d kinda like to take a break from it till my book comes out” Upon doing my research of this band I have to say in closing the “BADFINGER” story proves the old adage “Truth is Stranger Than Fiction” the band had 5 personnel changes in as many years, 2 less than straight up managers, 2 suicides, and untold lawsuits, in it’s history. Kathie Molland once told me “Wait till the book comes out, it is virtually impossible for us to have done everything, everybody has said we’ve done”

Joey & Badfinger will be in St. Paul, Mn @ The Saints Stadium Sun 29 May 2011

R.L.Schwinden May 2011 (for my Baby Blue)

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The KINKS 1962 to 1996

“Let’s All Drink To The Death Of A Klown”
The Kinks: 1962- 1996
“BUZZ” Newspaper Article” Aug- Sep 2012 (#18-M)

A funny thing started happening here inside the Shop (Mr. Zero’s St.Paul 55113) about a year ago or so, many younger people keep coming in and asking for The Kinks on Vinyl. It has happened enough that I had to wonder “What is going on ?” After doing some research I found out several newer bands have sited The Kinks and several others like T. Rex, David Bowie & Elvis Costello as their influences. So I thought I would cover The Kinks on this round. I actually never got a chance to see The Kinks in concert, I was able to see Ray solo in Nov 1997, where he read from his book and played some songs in between. As with most British bands of the era, The Kinks were signed to different record labels in the UK than in the USA, so I am going to cover the USA releases because finding Kinks records is hard enough as it is, much less trying to find UK releases!!!

Sometime in 1962 the brothers Ray (Raymond Douglas: 21jun1944) & Dave (David Russell Gordon: 3feb1947) Davies formed “The Ravens” in Muswell Hill, North London along with fellow classmate Pete Quaife (Peter Alexander Greenlaw Kilby Kinnis: 31dec1943 – 23jun2010) on Bass & Original ‘RollingStones’ Drummer Mick Avory (Michael Charles 15feb1944, East Molesey, Surrey) Avory announced at his audition “I’m willing to join your band, but I’ll tell you up front, I’m no poofter” a comment on the “Mod” clothing Brother Dave was sporting at the time. Before settling on the name The Kinks in 1964, as it was said they had “kinky” or “Mod” fashion sense, they also went under the names; “Pete Quaife Band” & or “The Ramrods”. The band’s 1st two 45 singles were released on ‘Cameo’ in 1964- 65 and never issued on an album. Then in Aug 1964 the legend was born, Brother Dave had cut the speaker of his Elpico amp with a razorblade to create the first distorted guitar sound, “Hard Rock” was born in “You Really Got Me” a #7 hit on the Billboard Chart Nov64.

Here in the USA the band was signed to Reprise Records and released a whopping 25 singles from 1964 to 1972 with 8 studio LPs. The original 4 had stayed together until Bass Player John Dalton (21may1943 UK) who substituted for Quaife in June 1966 replaced Quaife permanently from April 1969 to Nov 1976. An interesting performance note; In the 1965 TV appearance for “Tired of Waiting On You” a #6 hit in Apr65, you can see what I can only assume is the very 1st levitating drum set riser, which in 1974 ‘KISS” manager Bill Aucoin insisted his band use nightly in their concerts. 1965 was the year of The Kinks as they had 4 Top 40 hits with; “All Day and All of The Night” #7 Feb65 and “Who’ll Be The Next In Line” #34 hit in Sep65, and later on “A Well Respected Man” #13 in Feb66.

In 1966 Reprise released a “Greatest Hits” album (I have it on Reel to Reel). That contained mostly 45 single tracks, some Non-LP tracks like “Set Me Free” that hit #23 in Jul65, however as the UK & USA versions of LPs & singles differed, some songs were not found on ‘Studio’ albums what so ever. For example up to 18 songs by The Kinks were not on any studio album, as they were only released as 45 singles. I constantly encounter people trying to find this song or that song on a vinyl album of other songs they like, when the reality is, as I mentioned some songs like “Dead End Street” “Big Black Smoke” & ” Mr. Pleasant” weren’t put on any studio LP at all. A sign of the times, it was the 60s, and music was a driving force of social commentary so many songs were recorded and released on a 45 single to get it to the public as soon as possible, and then later when assembling the album of that time, some of those songs were left off as the fans already bought them, or they were deemed unfitting for the new album’s theme. The 2nd big hit for the band in 1966 was “Dedicated Follower of Fashion” in Jun66 at #36 on the charts, then came the LP “Face To Face” released in Dec 1966 it was the band’s 1st departure from “Mod Rock” into the Psychedelic era, this album was largely over looked and at times very hard to find, even though “Sunny Afternoon” a hit #14 in Oct66 is on this album.

The Kinks much like The Beatles chose not to tour as much to focus on making better recordings with a common theme or story. I am going to include a set list from a concert to show what songs The Kinks did play live when they toured.

27 Nov 1969 @ Fillmore West in San Francisco, Ca.
Till the End of the Day
Mindless Child of Motherhood
Last of the Steam Powered Trains
You’re Lookin Fine
Mr. Churchill Says
Big Sky
You Really Got Me
All Day and All of the Night
Love Me Till the Sunshines
Brainwashed
Milk Cow Blues
See My Friends
Tired of Waiting For You
Brainwashed (reprised)
Louie Louie
Victoria
Well Respected Man
Death of a Clown
Dandy

The Kinks 2nd coming arrived in the form of a song about a “Transvestite” named “Lola” #9 in Oct70 an released again as a “Live” version Jul80, the “Live” version of this song gets played far more than the original. The band put out many other singles and albums over the next few years, however Top 40 hits eluded them, and so the band signed with RCA Records for 10 singles from 1971 to 1975 with 6 studio LPs. They added John Gosling (6feb1948 UK) on keyboards from 1970- 78 along with on Bass Andy Pyle (1946 UK) from 1976- 78. A song that people remember as being a hit but wasn’t is 1972’s “Colloid Heroes” this single failed to hit the Top 100. My favorite album from the period is “School Boys in Disgrace” Nov 1975, a fantastic ‘concept album’ from start to finish with the stand out tracks “Hard Way” “I’m In Disgrace” & Headmaster” the tour for this album found the band wearing “School Boy” outfits made famous later on by an Australian band later that same year. Brother Dave was using a Gibson L6-S for this tour as well, not many guitarists used this limited production guitar. Once again charting success eluded the band, so much so when RCA went to put out a “Greatest Hits” package Ray informed the record label of the “Trades Description Act” which prohibits false advertising, so RCA re-titled the LP “Greatest Celluloid Heroes” released in 1976.

The band’s RCA contract coming to a close they signed with Arista Records for 15 Singles from 1977 to 1984 with 6 studio LPs, 1978s “Misfits” produced a #30 hit with “Rock N Roll Fantasy” in Sep78 & “(Wish I Could Fly Like) Superman” #41in Jun79. Once again replacing their Bass player for a 4th & final time, from 1978- 1996 with Jim Rodford (James Walter: 7jul1941 St Albans) who was also in The Swinging Blue Jeans & Argent, I met Rodford, in Sep2002 when he was with The Zombies, I was more interested in his time with The Kinks, however Jim was more interested in talking about his time in ‘Argent’ I asked him if I could send a questionnaire with him and if he would be so kind as to mail it back to me… Jim’s response “I’m not very good at stuff like that, I am always on tour though, you can catch me again”. And a new keyboards replacement with Ian Gibbons from 1979- 1989 and a new drummer with Bob Henrit (Robert John: 2may1944 UK) from 1984- 1996 replacing original drummer Avory after far too many disagreements with Brother Dave the most notorious being in 1965 in Cardiff where Avory hit Brother Dave with his kick drum foot pedal.

There is a “Live Concert” VHS/DVD from this era “One For The Road” recorded 23sep1979 @ Civic Center, Providence, RI. My favorite from this period would be “Give the People What They Want” from Aug81 this is a truly great album from start to finish stand out tracks to me are: “Add It Up” “Back To Front” & “YoYo” with “Destroyer” reaching #85 in Nov81 & “Better Things” reaching #92 in Jan82. In the 80s when a band’s videos is actually what got you on the charts, it was The Kinks 3rd coming with “Come Dancing” #6 in Jun83 & “Don’t Forget to Dance” #29 in Oct83. Also in 1983 Ray & Chrissie Hynde (Christine Ellen: 7sep1951Akron) of “The Pretenders” had a baby girl together. The Kinks final ‘ha raw’ was to be “Do It Again” at #41 in Feb85 I remember this video quite well, actually.

I am not exactly sure why but the band signed to MCA Records from 1986 to 1991 with 3 studio LPs, which seems very odd, since The Kinks had charted quite well with Arista records. Yet again misfiring with MCA records the band then signed to Sony Records in 1993, then in 1994 they began to put out their own material on their own Label “Konk” in total The Kinks had been signed to 4 of the 6 major record labels, to my knowledge the only band to do so in music history.

The Kinks managed to rack up 12 Top 40 hits in their career. I was also to see Brother Dave in May 2002 at “1st Ave” he did a great concert, some solo material as well as songs he sang in The Kinks and a few he didn’t sing originally. I met him afterwards and had him sign a couple things for me like his solo LP from1981 on RCA “Glamour” Dave said “Thanks for buying my record, did you like it?”.

Dedicated to my long lost friends: Kerri V. & Jesse S.

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The WHO 1964 to 1978

The WHO: 1964- 1978
“BUZZ” Newspaper Article; Jan- Feb 2013 (#22-V)
(By: Mr.ZERo)

Recently I was able to see The WHO at the Xcel Center in St. Paul on Tues 27 Nov 2012. Now I hear lots of back lash about the band, specifically referred to as “The TWO” now I find this really wrong and somewhat offensive as Axl’s “Guns N Roses” (who I personally feel is the most over rated band of all time) contains solely Axl, and co-founding member Tracii Guns has not be in the band since May 1985. So why isn’t Axl’s Guns N Roses called “Only Axl” ??? I digress …

> Now for our story < Peter Dennis Blandford Townshend: (19 May 1945: Chiswick, London) & John Alec Entwhistle: (9 Oct 1944: Chiswick, London- 27 June 2002 Cocain induced heart attack in Las Vegas) were friends from Acton County Grammar School & were in a Dixieland band called “The Confederates” sometime in 1962, when Roger Harry Daltrey: (1 Mar 1944: Hammersmith- Acton, London) met Entwhistle walking down the street. Daltery was a Guitarist in a band called “The Detours” since 1961 Entwhistle joined Daltrey and shortly after Townshend joined The Detours with Doug Sandom (1936 UK) on Drums & Colin Dawson on Vocals. Soon Dawson left, and the bands management & Townshend felt the band needed a better drummer & so Sandom was let go. While using a temporary drummer, one Keith John Moon: (23 Aug 1946: Middlesex- Wembley – 7 Sep 1978) approached the band about being their drummer, Moon is soon accepted. Entwhistle informed the band there was already a band called The Detours, so the band changed their name to "The WHO" on 14 Feb 1964. However in an effort to be more "Mod" the band went under the name "The High Numbers" summer of 1964 and released a 45 Single "Zoot Suit/ I'm The Face". Heavily influenced by American R&B- Soul music, the band coined the phrase "Maximum R&B". > A Legal Matter < Amazingly The WHO only released 8 Studio Albums from 1965- 1978 with the original line up, they are listed as follows although it is worth pointing out that the same thing went for The WHO as did most other major British bands (like The Beatles, Rolling Stones & The Kinks), that the UK Versions of their albums were usually released earlier, with different track listings & sometimes even under a different title than the US versions, making both versions worth collecting, however on the UK versions far less were pressed & even fewer made it overseas. > Instant Party < Starting in 1965 the band releases 3 Singles with 4 Non-LP B-Sides. Their 1st LP "My Generation" is released in the USA in Apr 1966 on Decca Records, also in 1966 the band release 6 Singles with 9 Non- LP B- Sides. Note already the band has 13 songs not on an album, so at this point enough to make a 2nd LP. However, "A Quick One" or "Happy Jack" in USA is in fact the band's 2nd LP released in May 1967 on Decca, also in released in 1967 are 3 Singles with 5 Non- LP B- Sides. The band's 1st "Top 40" hit "Happy Jack" a #24 hit on the Billboard Chart on 3 Jun 1967 & then their 2nd hit "I Can See For Miles" a #9 hit on 25 Nov 1967. Later this same year the band's 3rd album "Sell Out" is released on 15 Dec 1967 also on Decca. In 1968 the band release 3 Singles with 4 Non- LP B- Sides. The 45 "Call Me Lightning" hits #40 on 4 May 1968. Again note, the band now have an additional 9 songs not on an album, making a total of 22 songs not on any LP by 1968. And then ... on 23 May 1969 the band make their biggest impact on the music world their 4th album, a concept 2 LP album “Tommy" is released on Decca. Also in 1969 the band release 2 Singles with 1 Non- LP B-Side. "Pinball Wizard" hits #24 on 24 May 1969 & "I'm Free" reaches #37 on 23 Aug 1969. > Naked Eye < The WHO is well known as a "Touring Band" (usually performing up to 2 hour concerts) & reputably heavily "Bootlegged" so the band decided to release their own "Live Album" considered to be 1 of the best "Live" LPs of all time "Live At Leeds" is released May 1970 recorded live at University of Leeds in Yorkshire, UK on 14 Feb 1970, here is the 'complete' Set-list: Heaven And Hell I Can’t Explain Fortune Teller Tattoo Young Man Blues Substitute Happy Jack I'm A Boy A Quick One, While He’s Away Summertime Blues Shaking All Over My Generation Magic Bus Overture It's A Boy 1921 Amazing Journey Sparks Eyesight To The Blind Christmas Acid Queen Pinball Wizard Do You Think It's Alight Fiddle About Tommy Can You Hear Me There's A Dr. Go To The Mirror Smash The Mirror Miracle Cure Sally Simpson I'm Free Tommy's Holiday Camp We're Not Gonna Take It Entwhistle once said "The Beatles ... they make better records than we do, but we blow them away on stage" Also in 1970 the band release 3 Singles with 3 Non- LP B- Sides. "Summertime Blues" hits #27 on 15 Aug 1970 & "See Me, Feel Me" reaches #12 on 28 Nov 1970. The band then release their 5th album "Who's Next" 25 Aug 1971 on Decca. Also in 1971 the band release 3 Singles with 3 Non- LP B- Sides. With "Won't Get Fooled Again" a #15 hit on 18 Sep 1971 & "Behind Blue Eyes" reaching #34 on 18 Dec 1971. In Oct 1971 the band's 1st compilation LP is released "Meaty, Beaty, Big & Bouncy" a "Greatest Hits" really, as all but 1 song was released on a 45. On to 1972 the band release 3 Singles with 4 Non- LP B- Sides, with "Join Together" hitting #17 on the charts on 9 Sep 1972. > Too Much Of Anything < In 1973 the bands 6th LP, and the 2nd 'Rock Opera' (also a 2 LP) "Quadrophenia" is released on 19 Oct on Track & MCA Records, along with 2 Singles in 1973 with 1 Non- LP B- Side, with "The Relay" reaching #39 on the charts on 13 Jan 1973. In Oct 1974 "Odds & Sods" is released. This is the 2nd compilation album released by the band, except this one contains singles & unreleased songs. The title, well... the 3rd word, in the UK, is an equivalent to the "F" word in the US. Then in 1974 the band release 3 Singles with 4 Non- LP B- Sides. At this the band has 11 songs out that again are not on any LP. In 1975 "By Numbers" is released on 25 Oct, on MCA. The band’s 7th album & release the Single "Squeeze Box" which hits #16 on 14 Feb 1976 & then release 2 Singles in 1976. The band's 8th and final LP with the original line-up "Who Are You" is released on 18 Aug 1978 on MCA. Keith Moon dies of an overdose of 32 pills of Clomethiazole on 7 Sep 1978 at Shepherd Market, Mayfair, on the same property where Mama Cass Elliot died. The band release 2 Single 45s 1 being "Who Are You" with the "F word" taken out by cutting the time down to 3:27 min. the song hits #14 on 4 Nov 1978. > Another Tricky Day < The WHO hire former "Faces" Drummer: Kenneth Thomas Jones: (16 Sep 1948: Whitechapel, London) in early 1979. On 26 Dec 1979 in London @ Hammersmith Odeon the band record their show for the charity LP "Concerts for the People of Kampuchea" that came out Mar 1981 on Atlantic, 4 songs were used from that set. With Jones on board the band release 2 studio albums "Face Dances" Mar 1981 & "It's Hard" Sep 1982. The last WHO concert was on 17 Dec 1982 in Toronto & a video was released from it: "Who Rocks America" & a 2nd "Live" album recorded on 14 Dec 1982 in Richfield, OH @ the Coliseum, which was the last US date of the tour. "Who's Last" was released in Dec 1984. > One Life’s Enough < As The WHO's "Farewell Tour" came to a close "Rarities Vol 1 & 2" were released in Aug 1983 in the UK only, I feel these 2 LPs are worth mentioning as almost all of the 25 tracks contained here are not on The WHO's official studio LPs. Later in 1985 with the introduction of the CD "Who's Missing" came out in Nov 1985 & "Twos Missing" in Apr 1987, totaling 24 tracks between the 2 CDs, these are the US versions of the UK "Rarities: 1 & 2" however as usual there are several tracks between the 2 ‘Releases’ that do not cross over & are unique to the UK or US releases. A final note while The WHO only released 11 studio LPs all 4 original band members did release Solo albums: Daltry: 8 Solo LPs from 1973- 1992 & Entwhistle: 7 Solo LPs from 1971- 2000 & Moon: "Two Sides" in Mar 1975 & Townshend: 7 Solo LPs from 1972- 1993. I have always found it fascinating how music history evolves as time goes by, for example 4 of The WHO's most famous songs "I Can't Explain" "My Generation" "Baba O'Riley" (consistently misidentified as ‘Teenage Wasteland’) & "Love Reign O'er Me" none of these songs were "Top 40" Hits. So until the next time: “Nerd Is The Word”

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Type O Negative

“Am I Good Enough … For You?”
Type O Negative: 1989- 2010
“BUZZ: Newspaper Article” Nov- Dec 2012 (#20-T)

>How, Where & Why < In Jan 1997 I was working for a company I now only refer to as the 'Enemy' I was contacted by the record label Roadrunner and asked to check out this band 'Type O Negative' on 4 Feb 1997 in Des Moines, Iowa @ Toad Hollar, unfortunately I missed it because I worked at 6am at the time. 'Drain STH' was the opener. Then awhile later, I was offered the chance to meet Ozzy Osbourne, (1 of my childhood heroes) at 'OzzFest '97". *22 Jun 1997 in MPLS,MN. @ HHH Metrodome This was the actual 1st time I was able to see the band along with Coal Chamber, Fear Factory, Drain STH, (we actually had brunch with the a fore mentioned bands), as well as Marilyn Manson & Black Sabbath. I remember Kenny Hickey was quite taken with Martina Axen of 'Drain' (as was I). I was captivated by Type O Negative. The music was awesome it moved me, the 1st time a band had moved me like this since I 1st heard 'Black Sabbath' in 1972. I was so impressed I went out & bought "October Rust" when my girlfriend of the time came home from work I was so excited I said "Listen to this" I played "Love You To Death" for her and asked "Isn't this great what do you think?" she responded "That's great, I love music that when it's over I wanna go kill myself" I replied "Yea, I know, right?" So like always, with anything I like or find interesting, I delved into it & did my research: >Know What You’re Talking About < Type O Negative evolved from the bands 'Subzero' in 1988 & before that 'Carnivore' from 1982- 1987 who released 2 LPs one in 1985 & in 1987, & before that 'Fallout' in 1979- 1982 who released 1 single "Batteries Not Included" (I actually held 1 in my hand in 2000) & even before that 'Northern Lights' from 1976- 1979 when Peter Steele (Peter Thomas Ratajczyk: 4 Jan 1962 Red Hook Brooklyn, NY – April 14, 2010) on Lead Vocals & Bass and Josh Silver (16 Nov 1962: NYC) on Keyboards & Production. Steele brought in his long time friend from the neighborhood Sal Abruscato (Salvatore: 18 July 1970, Brooklyn, NYC) for Drums & then Silver brought in his childhood buddy Kenny Hickey (Kenneth Shaun Hickey: 22 May 1966 NYC) on Guitar & Vocals at 1st under the moniker "Repulsion" then changing the name to "Subzero" the entire band even went so far as to get tattoos of a "0" with a "-" in the center. Unfortunately there was already a band with the name "Subzero" so Steele decided to go with "Type O' Negative" in keeping with the tattoos. >Ground Xero < The band signed with "RoadRacer" records in 1990 and released their 1st CD "Slow, Deep & Hard" on 16 Jun 1991, this CD is more of a "Concept" album about a relationship Steele was in. It's hard to separate the tracks, but if I had to "Xero: Tolerance" "Glass Walls of Limbo" & "Prelude to Agony" would be the stand out selections for me. Originally this was one was to be titled "None More Negative" On 12 May 1992 the band releases its 2nd CD "The Origin of the Feces" for some reason, I cannot figure out, the band decided to make this CD a "Live Album" however it was created "Live" in the studio? The 1st cover was changed about 2 years after initial release as it was a nude picture of Steele's rear-end? This CD contains 2 reworked songs for the previous CD and 2 covers: "Hey Joe/Pete" & "Paranoid/ Iron Man" I find this one the weakest of their canon, so the stand out tracks would be; "Hey Pete" & "I Know You're F****** Someone Else". >Set Me On Fire < Here's where the band really take off! "Bloody Kisses" is released on 17 Aug 1993, this CD has the distinction of being re-released & altered 3 times!!! The original has a cover with 2 women embraced in a kiss, and the tracks "Kill All The White People" & We Hate Everyone" as well as 4 incidental pieces which were all later removed from the 2nd release in 1994. The 2nd version's cover is the same 2 women from the 1st version, only in this photo they are hugging. The song Suspended At Dusk" is also in place of the 6 tracks pulled from the 1st version. The 2009 version has a 2nd disk that contains 8 bonus tracks. This is the last release with Abruscato on Drums as he went on to join "Life Of Agony" the band's drum tech Johnny Kelly (9 Mar 1968: NYC) replaced Abruscato in 1994. Although the drum tracks for the next 3 CDs would be programed & would not use Kelly as a drummer. This is a great CD so this is hard but the stand out tracks for me are: "Blood And Fire" "Set Me On Fire" & "Christian Woman" The 1995 soundtrack "Mortal Kombat" contains a 1995 remix of "Blood And Fire" a far better version than the original. >The Green Man < Unbelievably the band top themselves with the next release "October Rust" put out on 20 Aug 1996 this is unquestionably their best work. This CD was not re-released or altered, perhaps a testimony to how great it is. Although "Love You To Death" was edited for a single release, "Cinnamon Girl" was remixed to a techno version for the "Duke Nukem" soundtrack, & "In Praise Of Bacchus" was also remixed for a single, & "Haunted" was featured on the "Blair Witch" soundtrack. This one is so great I cannot pick my favorites as the whole thing is my favorite. As of the late 80s VHS/ DVD started to count as part of most band's 'record deal' Type O Negative released the 1st of 2 long form videos "After Dark" on 24 Mar 1998 (VHS) & in 2000 for DVD I am uncertain as to why, but the band has been taking 3 years between releases, on 21 Sep 1999 "World Coming Down" is released, again another outstanding CD almost tied with its predecessor, this CD was another, Not to be re-released or altered. Although "Everyone I Love Is Dead" & "Everything Dies" were edited for single releases. Originally this was to be titled 'Prophets Of Doom and Aggroculture' >Frozen, Too Late < I was transferred to St. Paul in Nov 1999. Then one day on our way to the 'Winter Carnival' I saw Type O Negative was headlining (The Deadlights was the opener) So now I was ready to see my new heroes in Action, here's the setlist (the best I can remember anyway) *22 Feb 2000 in St. Paul, MN. @ Roy Wilkens Auditorium "In the Flesh" (Pink Floyd) Kill All the White People "Cornucopia" (Black Sabbath) Everyone I Love Is Dead My Girlfriend's Girlfriend Prelude to Agony Christian Woman Love You to Death World Coming Down Too Late: Frozen "No Quarter" (Led Zeppelin) Black No. 1 (Little Miss Scare-All) Great show, great performance, they had a snow machine during "Too Late: Frozen" at the end of the concert Peter Steele said "I'd like to thank each and everyone of you, because if it weren't for you ... I'd have killed myself along time ago ..." On 31 Oct 2000 the band release "Least Of The Worst" a "Best Of" of sorts, this CD contains 3 songs not any other release "It's Never Enough" "12 Black Rainbows" & "Stay Out Of My Dreams" all 3 are leftovers from "World Is Coming Down" as well as edit or remix versions for the other tracks on this CD. This very same month Steele was featured on the track "Just Say No To Love" from Tony Iommi's solo CD "Iommi" *11 Nov 2001 in MPLS, MN. @ Quest Me to Peter Steele "How was it to record with Tony Iommi" Steele "Like I was 16 again, it was awesome, it was the same with Ozzy" Me to Steele "Interesting Bass you use now?" Steele: "I call it a 'Fender- Bacher' but Fernandes, doesn't like me to do that ... who wants an apple?" >Angry Itch < The band release their 6th CD "Life Is Killing Me" is released on 17 Jun 2003, originally titled "The Dream Is Dead" but changed before release. This time 4 years after the last one, this is once again another great CD. So once again it's hard to pick, but the stand out tracks for me are: "Less than Zero" "IYDKMIGTHTKY" & "Todd's Ship Gods" although the CD is great. *10 Aug 2003 in MPLS @ Quest Me to Kenny Hickey "What guitars do you use at home off the road" Hickey "I just bought a 1985 Gibson Les Paul Custom a "Black Beauty" Me to Hickey "Your Fernandes has a duel color tone, black to green when the light hits it" Hickey: "I designed that myself !" *24 Nov 2003 in MPLS @ Quest Me to Josh Silver (notorious for not wanting to do interviews) "How come you guys never play 'Haunted' live?" Silver "Cause it's 10 minutes long, dude" Silver to a female fan "Fallout single, where'd you get that?" Fan: "Internet" *29 Oct 2004 MPLS, MN. @ Quest Me to Johnny Kelly "Who's you main influence as a drummer" Kelly "Bonham, I'd love to get a 26" kick drum in 'Green Sparkle' to shake the roof & make my fillings rattle" Me to Kelly "Who's idea was it to wear the 'Prison Orange Suits'” Kelly: "Peter's ... because he was just in for a stint, and thought it would be funny" and laughs On 14 Mar 2006 the 2nd long form video was released by the band "Symphony For The Devil" filmed on Sun 22 Aug 1999, in Cologne, Germany at the Bizarre Festival. This DVD also came with a CD of a 'Santana' Medley of 3 songs. The band's label "RoadRunner" (Peter Steele holds the record as the artist signed to this label for the longest period of time) released "Best Of Type O Negative" on 12 Sep 2006 reportedly without the band's knowledge, containing the 'Deep Purple' song "Highway Star". It was also about this time Steele ran into a health issue, of which that issue and the band leaving the 'RoadRunnner' label lead to rumors that Steele had died. >And In The End < The final CD "Dead Again" came out on 13 Mar 2007 at this time the band was signed to SPV- Steamhammer. This release was a real departure for the band, probably because Steele the main song writer had found God and re-embraced his Catholic upbringing, in addition too, this is the 1st CD to have Drummer Kelly actually play drums on the recordings, as well as Guitarist Hickey sang co-lead vocals with Steele. This CD like some of their others, I feel are intended to be listened to as a whole. So the stands out tracks, here for me are: "Profits of Doom" "She Burned Me Down" & "September Sun". There is an 'Exclusive Edition' with a 5 Live song CD & a 'Special Bonus Edition' with a 6 track DVD. *10 Apr 2007 in MPLS @ 1st Ave. I missed this show as I was stuck in Phoenix for a family thing, I wish I had seen this one, simply because my memories of the next & last time I saw the band (Described below). *16 Jun 2008 Maplewood, MN. @ Myth Peter Steele walked out on stage using a cane because of a limp & had a music stand with sheet music & lyrics to the songs they played that night, as I recall he wore glasses for some of the songs, he seemed to be in poor health, and very thin. Peter Steele died of heart failure (presumably Cocaine Induced) on 14 April 2010, effectively ending Type O Negative. "It is better to be hated for who you are, rather than loved for what you are not … So I am I good enough for you ... I guess not" MrZERo

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Vinyls Is NOT A Word

Mr. Zero Vinyl Hero

Mr. Zero Vinyl Hero

“Vinyls” is Not A Word:

“BUZZ” Newspaper Article; April- May 2013 (#26-Z)

Greetings Collector’s of Quadraphonic Polyvinyl chloride thermoplastic polymer flat disc with inscribed modulated spiral groove.

I bought my 1st Vinyl Record in 1973 The BEATLES “67- 70: Blue Album” when it 1st came out, if you do not know I sold my 1st “Used Record” in 1977 in Jackson, MS. while at Brandon Jr. High School, since then I have worked for many Music Stores starting in 1986: RecordShop, Archives, PatchWorx, Wherehouse, BestBuy, DiscJockey, fye, DiscLand & Now I own Mr. Zero’s for now 4 years (April 2009), so I feel I know I a thing or 2 about records. In this article (my 2nd year now) I am going to try to dis-spell all the misinformation about Vinyl.

> The Genesis:
It all started when; Thomas Edison (1847- 1931) on 18 July 1877 invented the first phonograph, originally playing Cylinder type recordings in production from 1988- 1915, with a 2 minute maximum for content. A man named Charles Tainter invented the usage of hard carnauba wax to replace the current medium of paraffin & beeswax that was used on cylinder records, this is where the slang “Wax” came from, in reference to Records. The 1st “Flat Disc” records were referred to as “Edisons” which ran at about 80 revolutions per minute, they were made of Bakelite (an early from of plastic) and had a recording only on 1 side, the other was blank or had the record labels logo engraved on it like “Victor”. However starting in 1950 most Records were made from Vinyl, not wax at all.
> 78rpm
Sometime around 1910, the 10-inch 78 rpm shellac disc had become the most commonly used format. The electric powered synchronous turntable motor invented in 1925, that ran at 3600 rpm with a 46:1 gear ratio, the result a rotation speed of 78 rpm, therefore 78rpm was chosen to be the standard. However this format was limited to 5 minutes of content per side.
> 45 Single
In Feb 1949 RCA introduced the 45 rpm record, 7″ in size, as they refused to license from a rival company. The 45 ran at a faster speed than the 33 1/3 so it had a better sound, in addition to a wider groove for better fidelity making them extremely durable, however a time limitation of about 4 minutes until in 1965 Bob Dylan wanted his “Like A Rolling-stone” a 6 minute song to fit on the “A” side of a 45. Most 45s were issued in Mono and often a very different mix than the Stereo LP, sometimes an entirely different version of the song like KISS: “Detroit Rock City” released in 1976. In the 50s you had to release many hit singles before you released a full length LP (Long Player) on into the 60s (read my articles on the Beatles, Kinks & WHO) how many Non-LP songs bands had back then. The band would release a 45 single between LPs & if neither song was a hit then the band would not put those songs on the next LP. Mono realistically ended in 1968, however AM radio only issue 45s continued in Mono until 1978.

> 16rpm
Were developed & introduced in 1926 by Western Electric. Used for soundtracks to films & Radio only transcription records from 1930- 1960 & Chrysler Automobile Records, (mainly Jazz music in the 1950s) ran16 revolutions per minute, & played from the inside out, as appose to the outside in. This format did not last long.
> EPs
Extended Plays were very popular in the UK; the 1st ones were put out by Grey Gull Records in 1919 & by RCA in 1952. An EP is classified as 4- 6 songs & less than 25 minutes for both sides total, they can run at 45 or 33 1/3rpm, usually in a cardboard sleeve, as appose to paper. Most British bands released EPs between LPs

> The LP:
In the USA, in 1921 record sales were about $105 million per year, but with the introduction of the home radio unit the 1st death knell was heard for records when sales dropped to $5 million per year in 1933. Then Columbia Records introduced the LP in 1948 developed by Peter Goldmark at CBS laboratories, 1st in Mono & then later in Stereo. At this time 78s were the predominate format for music until about 1952 when the 78 dropped to 50% of the market in sales. Interestingly enough in 1958 RCA passed on the opportunity to buy the exclusive to “Stereo” a true live separation of sound between 2 channels that was invented by Alan Blumlein at EMI In the1930s. In 1931 RCA- Victor introduced the “Victrolac” a new vinyl based compound.

While the composition of vinyl has changed since its inception, the preference is virgin vinyl (all colored vinyl is virgin vinyl) as it has less impurities, for example much of the vinyl produced in the 70s was recycled, recalled, unsold records, with impurities and all. Standard grade pressings were 130 grams until about 1971 when RCA introduced the “Dynaflex” record at 90 grams these did not sound as good nor did they last as long.

In November 1957, the small independent Audio Fidelity Records label started releasing stereo LPs & invented the “Half Speed Masters” developed from trying to capture nature sounds on vinyl. The “Half Speed Master” were cut at a slower speed with deeper grooves for a better sound reproduction. In Japan the standard has been 160 grams so most imports are sought after for the superior sound quality, which is why the current re-issue grade is 180 grams to sound better and last longer. Did you know the average LP contains about 1500 feet of grooves?

Records in the 60s ran about 18 minutes per side, then in the 70s about 20 minutes per side. Then in 1976 Led Zeppelin had a 27min song on “Song Remains The Same” then in 1987 Def Leppard put out ‘Hysteria” with about 30min per side, but in 1987 it was all over for the vinyl format.

> Acetates
Sometimes known as “Demonstration Records” are an aluminum disc, earlier versions were cardboard with a coating of nitrocellulose lacquer (they have a very unique smell to them). This production process ran from the 1930s to late 1960s. In the 40s there were recording booths for military men to record messages home to their loved ones before they went off to war. A famous recording booth record was made by The Quarrymen (The Beatles) as Lennon, McCartney & Harrison stuffed themselves into a booth to record “Hallelujah, I Love Her So”

> Sound Sheet/ Flexi Discs
A thin plastic sheet usually 1 sided, & not very durable. Usually magazine inserts from about 1965-1985, 2 of the most famous flexis are; The Monkees: Davy Jones had 1 in 1968 which was a spoken word with music for the film “Head” a 2 sided clear blue sheet. The Who had 1 in a book from 1985, demos for “My Generation & Pinball Wizard” When the Beatles re-released the “Red” & “Blue” & “White” albums in 1981 after Lennon died, Musiccland released a Flexi for each LP. One conversation I had with Glen Buxton of the Alice Cooper Group in 1991, he was planning to release a Flexi of 2 songs he & Alice had recorder before The Alice Cooper Group as “The Spiders” in 1965, however I had to inform him, Felxis had gone by the wayside some years earlier.
> Cereal Box Records:
Usually found on Post Cereals from 1970- 1972. A piece of cardboard with a thin vinyl coating applied, again not very durable. The most famous artists found on these are: Monkees, Archies, Jackson 5 (with Michael), Bobby Sherman & children’s music.

> Quad:
Sometime about 1972 quadraphonic was introduced (the equivalent of 5.1 today) instead of sound being separated into 2 channels, quad is separated into 4, however you need a special quad amp and 4 of the same speakers. Very few titles were released in quad as this medium did not catch on.

> 12″ Singles:
About 1977 the 12″ Single was introduced for the Disco Clubs to keep people on the dance floors longer. Most ran at 45rpm with wider grooves so they had better fidelity. Almost all 12″ had remix or alternate versions making them very collectible.

> Cut-Outs/ Promotional:
Were recalled overstock that was actually cut or drilled, to show they could neither be sold or ‘returned’ for full value. Some “Promotional copies were marked in the same fashion. Promotion copies were made by the record labels for the record stores or radio stations, usually 1st runs off the plates they were better pressings, with cleaner & better sound some like CBS & WB had “White Labels” some covers bore a gold stamp or sticker indicating “promo” status. The 2nd death knell for records came about this time with the readily accessible home cassette recording deck, so much so that EMI put this slogan on their inner sleeves “Home taping is killing the music industry” with a skull & crossbones made from a Cassette shell.

> Record Collecting Blues:
One current trend is original blues records, which are very high in demand but very scarce in supply. For example the Chess label out of Chicago, Illinois considered 1000 copies sold good selling title, & 2000 copies sold a really good selling title & 5000 copies sold, a smash hit. The other thing to consider is until the early 90s the East & West Coast were very separate in development, & way ahead of the Mid-West, & blues primarily sold from Chicago to New Orleans. Another example to consider about blues, take Robert Johnson (1911- 1938) who is considered the Father of Blues, Johnson released only 78s in his lifetime, 11 total, NO LPs, 1 was released 25 years after his death and a 2nd LP 10 years after that.

> R.I.P. 1989:
“National Recall” Letter issued by NARM in December 1987 that essentially read: “All 6 major labels: CBS (Sony), WEA (Warner Bros), MCA (Universal), BMG (RCA), EMI (Capitol) & PGD (Polygram) have decided to stop shipping Vinyl record LPs to retail stores, effective 2 January 1988. In order to receive full credit for Vinyl on hand, have all stock returned to vendor by 30 December 1987. The list price of a vinyl record LP was on average $9.98 & the cost of a vinyl record was about $7.25 per item. At that same time the list price of a CD was on average $16.98 & the cost per item was about $12.75 (these are facts, folks .. as I was there)> No music retail chain was about to lose any money on dead stock & the chance to flip credit on vinyl to CD. At that time in 1987 Cassettes were about 60% of the retail market leaving CDs about 35% with vinyl trailing at a mere 5%, albeit not an entirely dead format, which is why NARM & the Labels decided to put an end to vinyl. In this same letter it did also state that stores would be able to “Special Order” most vinyl titles until 30 October 1989, but after this date “There Will Be NO More Vinyl Pressed in the USA” So music fans roughly there was no vinyl manufactured from late 1989 to 2003 If it was NEVER made on Vinyl originally then the “New” 180gram vinyl Is the Original press.

There was however some limited pressings of major artists such as: KISS, Metallica, Guns N Roses, Pearl Jam & Nirvana usually colored vinyl or picture discs released 1 week before the CD & Cassette, as well as many smaller independent releases. There are literally millions of titles only on vinyl LP; however the same rings true for Cassette as well as CD. It was simply not cost effective to re-release many titles on CD or even Cassette, in addition to many master recordings had been lost over the years, to make proper transfers of vinyl titles to CD, the same rings true today, for those titles only on cassette or CD, it’s just not worth the time or money to put many of those titles on vinyl.

> A Hundred Dollars:
As far as availability for some artists records we must take into consideration; how many were made, how many were sold, how many were recycled as CBS nor Capitol would not reduce overstock to “Cut Out” Status. A very important thing to consider, today Not all records have the same value, condition & quality are 1st & foremost, also it seems most people are looking for the same titles, therefore a higher demand warrants a higher price in re-sale.
Another thing to consider is how many survived due just to whether conditions, example: in California earthquakes & fires, Southwest intense heat, Deep South humidity, Midwest humidity & floods, Northeast overpopulation & a small living area people would tend leave luxuries behind, like their record collection, or people simply unaware of what they had and threw their LPs into the garbage.

What’s selling today in 2013, well after 4 years of selling “Used” vinyl, we have proven, it’s essentially the exact same artists that sold 10, 20, 30 & 40 years ago. Here’s the “Top 11”
1. The Beatles: 1962- 1970 (14 Albums)
2. Pink Floyd: 1967- 1994 (14 Albums)
3. Led Zeppelin: 1969- 1978 (8 Albums)
4. Jimi Hendrix: 1967- 1968 (3 Albums)
5. Frank Zappa: 1966- 1993 (62 Albums)
6. Grateful Dead: 1967- 1990 (22 Albums)
7. Bob Dylan: 1962- 2012 (35 Albums)
8. Doors: 1967- 1978 (9 Albums)
9. Neil Young: 1968-2000 (37 Albums)
10. Black Sabbath: 1970- 1978 (8 Albums)
11. Metallica: 1983- 1991 (5 Albums on Vinyl)

> Come Back:
On Vinyl making a comeback. In 2008 record labels shipped out some 3 million units of vinyl, keep in mind “Sgt. Pepper’s Lonely Hearts Club Band” sold over 5 million copies on vinyl in America alone. So 3 million is not a major come back. In 2012 Vinyl sales were up 16% on $4 million is only $64,000.oo up in sales.

The precious Internet has cost the USA billions in music sales, jobs, retail taxes, retail stores, retail jobs, Record Label jobs in promotion, production, art department. With Amazon sales 40% up in Oct 2009 & Ebay $59 Billion in 2008, & absolutely TAX Free. The internet does not create jobs it eliminates jobs and offers no real replacement. In the 60s through the early 2000s the music industry generated billions of dollars for not only the USA but other countries as well. As of today only 1 national music store chain exists, and that would be “fye” out of New York (fye: purchased Musicland/ Sam Goody in 2006 & closed it in 2007).

As of 2008 most cellphones can access the internet, making it possible for almost everyone to look up items on Gemm.Com & Discogs.com & Popsike.Com & Ebay & Amazon, so the days of finding hidden gem that someone over looked, are realistically over, especially in any shop/store establishment (they can use the internet too, isn’t that weird?). If you would like a local list of our peers who also sell used records you can contact us at www.MrZeros.Com, And, so happy hunting….. Mr. Zero Since 2009

http://www.youtube.com/watch?v=21ultWh4lgw

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Deep Purple Loud & Proud

1975- 76 UK

1975- 76 UK

“Loud And Proud”

(This was the ad campaign for “Come Taste The Band” album)

Deep Purple Mark 4 “BUZZ” Newspaper Article Jul- Aug 2012 (#17-L)

When I was a kid in Sioux City, 1 of my favorite bands was ‘Deep Purple’ riding high on “Smoke on the Water” there was a local guy ‘Tom’ from our neighborhood my Uncle Jeff told me about who had left town a few years earlier and done well for himself in a Colorado band ‘Zephyr’ then he went on to do even better in ‘James Gang’ replacing Joe Walsh. Next thing I know a few years later that same local guy was the replacement for Richie Blackmore in ‘Deep Purple’ that local was Tommy R. Bolin from 2740 Clark St. 51104

Years later Tommy’s family lived across from us on Pierce St. in 1979 it was then I met Tommy’s drummer & younger brother Johnnie. In 2006 Johnnie called me and asked me “Would you like to do a project on my brother?” I responded “All my life” you see Tommy was a huge inspiration to others and me from Sioux City. We thought “Hey if Tommy can end up in ‘Deep Purple’ then I should be able to at least get out of this town and be somebody”

Since 2006 I have been working on a book on Tommy’s life, every band, album, song, concert, demo, & guitar literally every single thing he ever did before his death on 4 Dec 1976. Here is an excerpt from the ‘Deep Purple’ chapter in my book. I would like to thank Johnnie Bolin for giving me the opportunity to spear head this project.

Tommy Bolin: 1975 on ‘Deep Purple’
“It’s a… I didn’t think a, to be honest at first I didn’t think it would, it would be, it would work, I really didn’t, but um, we had a jam and within the first minute or two, you know, I could tell that they were into the same things I was into kind of an R & B, funk kind of um, and I think they were hunting for a freedom which I don’t think Ritchie gave them, you know so like they were so open to the whole thing it turned out lovely, otherwise I wouldn’t be here”
Some excerpts of interviews I conducted over the years:
Ian Paice: Deep Purple In 2005 in St.Paul, MN. “He Was Quite A Poser Wasn’t He? He Loved The Camera.”

David Coverdale: Deep Purple in 2009 in St.Paul, MN. “A new book on Tommy Bolin,… cool, No Comment, You need to contact my management in L.A. way in advance to get an interview”

Johnnie Bolin: Tommy Bolin Band & Black Oak Arkansas in 2005 in Sioux City, Iowa
“He (Tommy) didn’t really wanna do it (join Deep Purple), he was tired of filling in for other people. He really did want to do his own thing, he had been working on his solo record (Teaser) for awhile, but the amount of money they (Deep Purple) offered him was just too much to turn down, he had never seen that kind of money in all his life, so I guess he thought; “I’ll take this gig, and make some money to get my solo thing off the ground”

Ricky Reynolds: Black Oak Arkansas In 2003 in Minneapolis, MN.
“The Last Time We Saw Tommy, (1975) I Told Him…’Man It Looks Like A Rainbow Threw Up On Your Hair, He Had So Much Color In It”

John Bartle: DVC & Jan Parks Band in 2005 in Sioux City, Iowa
“The ‘Big Time’ was his (Bolin) job, it was us guys (Bartle, Bizzett, Shelby, Palomini, Berge, Saviolia) he loved to play with, every time he came back to town he would call us up and book a gig. That’s where those pictures are from. When we were ‘The Gassers’ in ’75 @ the “1010 Club”.

Once again I am going to review the “8-Track” song list as this is how I, best remember the song list.

8-Track Released 10 October 1975
“Come Taste the Band” Warner Bros. MSP 2895 DEP

1. Lady Luck (Jeff Cook, Coverdale) (*Program #1)
This was a song from Tommy’s ‘Energy’ Days (1971- 74) his vocalist & lyricist Jeff Cook originally wrote this song. Tommy brought it to the band and Coverdale re-wrote it. (There is a studio demo from ‘Energy’ from 1972)

2. Getting Tighter (Bolin, Hughes)
This song Bolin wrote back in early 1975 when jamming with Stanley Sheldon during the ‘Cucumber Jams’ Sessions @ ‘Glenn Holly Studios’. Hughes later wrote the lyrics for it during the recording of this LP.

3. Dealer (Bolin, Coverdale)
Was originally written by: Bolin Prior To Deep Purple under the title “Streaks and Stains” which contains the “Drifter” riff and combined with another song “Poker Chips” probably between 1974-1975 (there is an acoustic demo of this) Hughes originally recorded the lead vocal for this song, however when he was in rehab Coverdale re-recorded the lead with Bolin singing the last 4 lines.

4. Comin’ Home (Bolin, Paice, Coverdale) (*Program #2)
Ian Paice: In St. Paul, Mn. In 2005
“We Were All Jamming And Throwing Out Ideas, And So I Came Up With The First Part Of The Song, Tommy Finished Up The Rest (Of The Song), And David Wrote The Lyrics” There is an outtake from this ‘Jam Session’ Bolin plays the bass on this song as Hughes was sent back to the UK for some much needed rehabilitation.

5. Prelude
A. This Time Around (Hughes, Lord)
With music by: Lord the lyrics by: Hughes dedicated to one of his main influences Stevie Wonder.

B. Owed To ‘G’ (instrumental) (Bolin)
Written by Bolin sometime in 1975. The “G” is to George Gershwin. Tommy regularly performed this song with his local band ‘The Gassers’ which included his brother Johnnie & John Bartle in Aug 1975. Tommy joked the wanted to call the track “Gersh- Win”

*Lady Luck (yes a second time) (*Program #3)

6. Drifter (Bolin, Coverdale)
Originally titled “Days May Come” this one of the very 1st songs written by the ‘New’ lineup including Bolin.

7. Love Child (Bolin, Coverdale)
Was written by Bolin during the “Mind Transplant” sessions In October 1974. (There is a recording of this)

8. I Need Love (Bolin, Coverdale) (*Program #4)
I believe this was written the studio for the LP.

9. You Keep On Moving (Coverdale, Hughes)
This one was originally written for the “Burn” LP in 1973 but went unused until this album. The band did revive it during Bolin’s audition in Jun 1975.

In July 1975 Bolin was recording the sessions for what would become his 1st Solo album “Teaser” Hughes sang background vocals on the song “Dreamer” due to contracts; he could not sing lead vocals or be credited on the LP.

It is a little know fact that Tommy Bolin & Robert Plant were more than just acquaintances, while “Purple” was recording this album in Munich, Germany, Led Zeppelin was working on the sessions that would become “Presence”. Plant & Bolin had a “Pick- Up Band” that played local clubs performing old blues standards that they both loved.

After “DP4” broke up in May 1976 Bolin & Hughes were planning to do a project together, this did not come to fruition, perhaps because Bolin’s longtime girlfriend (since 1968) Karen took up with Hughes and eventually the 2 married in 1977.

Vinyl LP:
“Come Taste the Band” 1975 WB PR-2895 $6.98 #43 on Billboard Chart
“Last Concert in Japan” 1977 -1978 EMI Electrola #1C 064-60 900

45 Single:
Getting Tighter (edit) b/w Love Child 1975 WB #8182

VHS:
“Rises Over Japan” 1985 Mar on Warner Bros.
CD:
“Come Taste the Band”
A. # CDP-7-94032-2 in 1990 EMI
B. Reissue #829421-10582-4 in 2007 FridayMusic (liner notes by: Johnnie Bolin)
C. 35th Anniversary 2CDs #50999-6478662-9 in 2010 EMI (with 3 Bonus Tracks)

“Last Concert in Japan” 1977 WEA International (single disc Japan show)
“In Concert” 1995 King Biscuit #8002-2 (26jan1976 & 27feb1976 USA)
“Days May Come and Days May Go” 2000 Purple Records #303 (Jun1975 Rehearsals)
“1420 Beachwood Drive” 2000 Purple Records #201 (Jun1975 Rehearsals: part 2)
“Extended Versions” 2000 BMG #75517456192 (single disc USA show)
“This Time Around” 2001 BMG #06076-86312-2 (complete 15dec1975 Japan Show)
“Live at Long Beach 1976” 2009 Purple Records #350 (reissue of King Biscuit)

DVD:
“Phoenix Rising” 2011 May on Eagel Rock
Book:
“Gettin Tighter” 2008 Nov on Power Chord Press

Tours: “DP4” performed 17 shows in Hawaii, New Zealand, Australia, Indonesia & Japan from 2 Nov – 15 Dec 1975.
Here’s the setlist for this show one of their better performances:

20 November 1975 Sydney, Australia @ Hordern Pavilion
(Set List From Audience Recording)
1. Burn
2. Lady Luck
3. Love Child
4. Getting Tighter/ Dance To That Rock And Roll (including) Cucumber Jam (Bolin)
5. Smoke On The Water (including) Night And Day
6. Wild Dogs
7. I Need Love
8. John Lord Keyboard Solo
9. Lazy (into)
10. Ian Paice Drum Solo
11. This Time Around
12. Owed To ‘G’ (into)
13. Tommy Bolin’s Guitar
14. Drifter
15. You Keep On Moving
16. *Stormbringer
17. *Highway Star

The band went on to perform 39 more concerts from 14 Jan to 15 Mar 1976 on the US & Uk leg of this tour.
At the end of the final show, 15 Mar 1976 in Liverpool, UK @ Empire Theatre (audio) Lord, Paice & Coverdale had decided to put an end to ‘Deep Purple’ so. the Tour of Germany was canceled.

For a more extensive version of this article check out: www.MrZeros.Com in the “Blog’ section. Also be sure to visit:
Website:
www.tbolin.com
www.rocklegendmerch.com
Johnnie Bolin on “fb”

The Annual Tommy “BolinFest 2012” will be held again in Sioux City, Iowa @ The “Icky Nickle” Sat 28 July 2012
“Mr. Zero’s” is a Proud Sponsor for the 3rd (yes Third) Year In A Row !!!

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Thomas Richard Bolin 1951 to 1976

4-Dec-1976 Miami, FL

4-Dec-1976
Miami, FL

“Don’t let your mind Post Toastee,
like a lot of my friends did”

From: Rik L. Schwinden’s book
“BUZZ” Newspaper Article: Jul- Aug 2011 (#5-E)

1. Sioux City Iowa: 1951
Thomas Richard Micheal Bolin was born in Sioux City, Iowa on Wed. 1 August 1951 to Richard & Barbara Bolin and lived on 1113 Court Street Sioux City, Iowa Richard worked at the local meat packing plant, Barbara worked at her father’s corner market. There were 4 Bolin boys Tommy, Bobby in 1953, Johnnie 17 August 1954 & Rick “Pudge” in 1957. Tommy began performing at an early age as an Elvis imitator on the local TV show “Canyon Kid”.

2. Patch of Blue: 1965- 67
In 1963 Tommy was in a garage band ‘The Miserlou’s’ when he was discover by guitarist Roger Rothwell & Local Guitar Legend Bob Dawdy of ‘The Velaires’. Tommy was recommended to the Local band ‘Denny and the Triumphs’ in 1964 who soon broke up and became ‘A Patch of Blue’ in 1965, put together by the recently deceased George Larvick, this band of young high school kids performed all over the mid west area, until the band fired Tommy for being too loud. Tommy then went to Cincinnati sometime in 1967 and played with the band ‘Ginger People’ with John Ferris as well as sitting in with blues legend Lonnie Mack.

3. Zephyr: 1968- 1971
In Fall 1967 Tommy left the band he was with as Keyboardist, ‘The Chateau’ from South Dakota and left for Denver which at that time the “mid west” answer to New York and San Francisco. The first band he was involved with was in ‘Cross Town Bus’ in 1967-68 where he met his girlfriend of the next 8 years, Karen U. Then Tommy formed a new band in late 1968 ‘Ethereal Zephyr’ later shorted to ‘Zephyr’ in 1969 they were signed to ABC-Probe Record Label & put out their first LP that same year. In 1970 ‘Zephyr’ added Drummer Bobby Berge, and in 1971 put out their 2nd LP “Going Back to Colorado” on Warner Bros. the band broke up in mid 1971 however did get back together from time to time in 1973 to play limited shows. There is a CD of a 1973 concert “Live at Art’s Bar & Grill”

4. Energy: 1971- 73
Tommy was quoted as saying when asked; “My favorite band I was in?, Energy” in 1971 after ‘Zephyr’ broke up Tommy went to New York, and played the local jazz scene with such greats as, Jeremy Stieg, Tony Williams, Don Alias & Gene Perla. Which lead to the formation of ‘Energy’ with former band mates Bobby Berge, Jeff Cook of ‘Crosstown Bus’ and Stan Sheldon & his Cousin Tom Stephenson. Touring where and when they could, unfortunately ‘Energy’ did not put out a record however there are 3 CDs available of this progressive jazz- blues band. (Pink Floyd fans should check these CDs out)

5. Billy Cobahm: 1973
In May 1973 Billy Cobham & Jan Hammer left the ‘Mahavishnu Orchestra’ to work on the LP “Spectrum” they needed a new ground breaking guitarist. Cobham had remembered Tommy from ‘Zephyr’ playing festivals together. So Billy called Tommy & asked “Would you like to do my solo record?” Tommy said “Who’s this again, I thought it was a joke” coincidentally this LP lead the way for Jeff Beck to go Instrumental Jazz Fusion & lead to Tommy’s audition for ‘Deep Purple’. The “Spectrum” LP came out on Atlantic in 1973 (Van Halen fans should listen to the song”Quadrant 4”).


6. James Gang: 1973- 74

In August 1973 ‘James Gang’ was looking for a new guitarist as Joe Walsh had split sometime earlier & the 1st replacement was not working out. The guys in ‘James Gang’ asked Walsh if he knew of anyone who he could recommend. Walsh said “Yea, my friend Tommy Bolin, he just did the “Spectrum” record.” The band brought Tommy in and recorded “Bang” 1973 Atco Records Tommy co-wrote 8 of the 9 songs on the LP made up of unreleased ‘Energy’ material. Note for the album cover Tommy’s head is super imposed onto Dominic Troiano’s body. In 1974 saw the 2nd ‘James Gang’ album with Tommy “Miami” this time Tommy co-wrote the entire LP. By late 1974 Tommy had grown disillusioned with the band naming musical differences and egos as the problem Tommy split in Aug 1974.


7. Alphonse Mouzon: 1975

In December 1974 Tommy teamed up with former ‘Weather Report’ Drummer Alphonse Mouzon To create what I personally feel is the greatest recorded album of all time “Mind Transplant” (Rush fans You Need To Hear This Record for the drumming) this is an unbelievable fusion jazz record it came out on Blue Note in 1975.

8. Moxy: 1975
While Tommy was recording demos for his 1st solo record that would eventually become “Teaser” he was asked to fill in for the recently departed guitarist from the Canadian Band ‘Moxy’ Tommy added is lead guitar work to 5 of the 8 tracks on the LP. “Moxy” came out on Mercury records in 1975.

9. Teaser: 1974- 75
Since ‘Energy’ disbanded in 1972 Tommy had been working on songs for his 1st solo outing starting the project in July 1975. It would eventually come out on Nemporer Records in late 1975. Working with a host of guest musicians like: Prairie Prince, Carmine Appice, Glen Hughes, David Sanborn, Phil Collins etc. A stellar piece of work, originally Tommy wanted Side #1 to be Vocal and side #2 to be Instrumental. So unfortunately one of the best tracks was left of the LP “Crazed Fandango” ‘Teaser’ came out within a month of Tommy’s 1st LP with ‘Deep Purple’.

10. Deep Purple: 1975- 76
Ritchie Blackmore had enough in 1974 with ‘Deep Purple’. So the newer members hungry to keep the band alive went in search of as new guitarist. David Coverdale had remembered a great guitar player form a record he liked “Spectrum” it just so happened Tommy lived up the street from one of ‘Deep Purple’s’ Roadies. So they brought Tommy in June 1975 and the band clicked with Tommy straight away. I asked Ian Paice about Tommy “He sure liked the camera didn’t he” Tommy really wanted to focus on his solo career but could not pass up the money the band offered, even though Tommy would have preferred the band take a new name, the band got to work right away & recorded “Come Taste The Band” in Switzerland it came out on Capitol Records in 1975. a 2nd LP was released with Tommy shortly after his death in 1977 “Last Concert in Japan” on Purple Records, this was from the 15 December 1975 show on the tour of Japan. I once asked David to do an interview on Tommy for my book, Coverdale to me “New book on Tommy, oh cool… no comment” ‘Deep Purple’ called it quits in March 1976.

11. Solo Band: 1975- 76
At last Tommy is free and established to pursue his solo career. So Tommy puts together the 1st ‘Tommy Bolin Band’ in April 1976, with Jan Hammer, Michael Narada Walden & Mark Stein of ‘Vanilla Fudge’ & set out on the road to promote ‘Teaser’ even though it was released a year earlier. Tommy has a revolving door of musicians in ‘The Tommy Bolin Band’ including his younger brother Johnnie Bolin, and the only main stay Norma Jean Bell on Saxophone. Tommy enters the studio to record his 2nd and final studio record “Private Eyes” in June 1976 comes out in August 1976.Tommy embarks on his 2nd solo tour landing the radio show “The King Biscuit Flower Hour” 19 September 1976 Tommy and the band are schedule to open for ‘KISS’ on the “Rock N Roll Over Tour” on 2 December 1976 when Tommy cancels due to health reasons. Tommy does land the opening slot for guitar contemporary Jeff Beck on 3 December 1976. At an after show party, then to his room at the Newport Hotel, Tommy seemed to be in okay, and in decent spirits and having a few drinks.

12. Death: 1976
On 4 December 1976 just after 7 A.M. Thomas Richard Micheal Bolin was pronounced “dead” in Miami, Florida from Alcohol, Barbiturates, & Opiates. The coroner’s report shows fresh needle tracks, but not signs of long term usage. Tommy is buried in Sioux City, Iowa in Calvary Cemetery. Karen made sure Tommy was buried with a souvenir he had been given years earlier the very ring Jimi Hendrix was wearing when Jimi died. Tommy did have some songs written like “Faded Satin Lady” “Blues Gonna Take Me Away” & “Down In Dungeon” for what would have been his 3rd solo LP perhaps entitled “Whips and Roses” due out in early 1977.

13. Tommy Bolin Archives: 1996
There have been about 36 CDs of material, Live, Demos & Out-takes, released of Tommy’s music since he passed away 4 December 1976 on various labels many through the Tommy Bolin Archives out of Denver, CO. The 5 most recent:
1. “Teaser Deluxe” 2011 Samson
2. “Come Taste The Band” by: Deep Purple 2010 EMI
3. “Mister Bolin’s Late Night Revue” 2010 Rainbow Foundation (I worked on the music video for the song “Jump Back” on this CD)
4. “Whirlwind” 2013 Cleopactra
5. “Zephyr: Boxset” 2014 Purple Pyramid

14. My Book: “Post Toastee; Sioux City Blues”
This information is taken from my book with Johnnie Bolin, which is in progress on Tommy R. Bolin due out August 2016

Mr. Zero’s Roseville 55113: $ells Tommy Bolin; Posters, CDs, Postcards, T-Shirts, LPs, Guitar Picks, Buttons, Photographs

For even more Tommy Bolin merchandise on line.
http://www.rocklegendmerch.com

For updated information on Tommy Bolin
tbolin.com

“BolinFest 2011” Tickets @ $old @ Mr. Zero’s $10.oo
Saturday 30 July 2011 in Sioux City, Iowa @ Ickey Nickle

“BolinFest 2012” Sat 4 Aug 2012
In Sioux City, Iowa @ Icky Nickle

“BolinFest 2013” Sat 3 Aug 2013
In Sioux City, Iowa @ Icky Nickle

“BolinFest 2014” Sat 2 Aug 2014
In Sioux City, Iowa @ Icky Nickle

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Tommy Bolin Complete Catalog

1-Aug-1951 Sioux City, Iowa

1-Aug-1951
Sioux City, Iowa

“Teaser … Not Bang A Gong”
“BUZZ” Newspaper Article Aug- Sep 2013 (#30-tBc)

Welcome back to another installment of “Dr. Rock’s Remember When?”

Occasionally I get asked where I am from; well I was born in Sioux City, Iowa, I went to School in Jackson, MS. But graduated from Sioux City West, and then promptly moved to Phoenix, AZ. I lived in Des Moines, Iowa about 15 years & I have been in St. Paul about 14 years now.

Having grown up in Sioux City our Local Hero was Tommy Bolin who left that town & made something of himself in the ‘music biz’ in 1979 The Bolin Family lived across the street from us on 25th Pierce St. Now Sioux City is kind of a depressing place, & when Tommy ended up in ‘Deep Purple” ‘it gave me the idea “Then I can get out of this town too”

So when people ask me where I am from I tell them “Sioux City, Iowa the Home of Tommy Bolin” usually I hear “Oh, the guy in “T-Rex” I say “No, the other guy, Teaser” Now I own “Mr. Zero’s: Music Shop” & we have sponsored the “The Annual Tommy Bolin Fest” held in Sioux City, Iowa for the past now, it’s held the 1st week of August to honor Tommy’s birthday. So in 1st part of this ‘2 Part Article’ I’d like to cover the 1st half of the some 50 plus releases pertaining to Tommy.

Tommy Bolin: Thomas Richard Micheal Bolin; 1 Aug 1951 was born in Sioux City, Iowa, his parents were Rich & Barbara, & 2 brothers are, Johnnie & Pudge. Tommy was a Catholic of half Syrian & Swedish heritage He grew up on 2740 Clark St on the north-west side of town. Tommy died of a massive drug overdose in a hotel in Miami on 4 Dec 1976.

>>> Not To Be Confused with:
Marc Bolan who was born (Mark Feld) on 30 Sep 1947
in Stoke Newington, London, England & died 16 Sep 1977 in Barnes, London, Marc’s father Simeon Feld was a Russian/Polish Jew & his mother Phyllis Atkins an Irish Christian. Bolan once declared “he, if anything he was Jewish”.

Marc was originally was influenced by Gene Vincent. Marc was a teen model, before becoming a Solo artist from 1965-67 releasing 5 singles, before joining “John’s Children” in 1967 this band released 1 single. He then became Marc Bolan & formed ‘Tyrannosaurs Rex’ in 1968 through 1970 releasing 4 LPs & 5 Singles. Around Jun ’70 Marc recorded “Ride A White Swan” & shorted the band’s name to “T-Rex” & released 8 LPs & a whopping 32 Singles from 1970- 1977. Ironically Marc died only 9 months after Tommy Bolin (to add to the confusion) in a auto crash, he was the passenger in the auto being driven by Gloria Jones, the auto hit a fence, then a tree on the way back from Morton’s Pub in Berkley Square, low air pressure in the tire was listed as the cause of the accident.

Tommy Bolin or Tom as he preferred to be called then, was influenced by Elvis he started off playing drums, but soon switched to guitar & keyboards. At the age of 13 Tom was playing guitar in the garage band “The Miserlous”. He was then asked by Brad Miller to join “Denny & The Triumphs” in early 1965. Tom was using a Mosrite Surf Guitar at this time. This band consisted of the lineup listed below:

*Denny & The Triumphs: 1965 (summer)
Sioux City, Iowa
Denny Foote: Bass
Tommy Bolin: Guitar
Dave Stokes: Vocals
Brad Miller: Lead Guitar
Brad Larvick: Drums
Steve Bridenbaugh: Keyboards

George Larvick Sr. managed ‘The Triumphs’ at some point Denny was fired & George Larvick Jr. stepped in & took over the band. George changed the name of the band to ‘A Patch Of Blue’ after seeing a Sidney Poitier film of the same name. George Sr. made several recordings (reportedly up to 5 shows) of this band. In 1999 a 2-CD set was released. My Uncle Jeff has said “You should have seen/heard Tommy play the solo on Tom Jones “It’s Not Unusual” man, did he really shine on that one” At this time Tom was using a Gretsch Country Gentlemen & a blue Kustom Amp.


*A Patch Of Blue: 1965 (fall)- 1967 (summer)

Sioux City, Iowa
“A Patch Of Blue: Live” Larvick Recordings-1999 (CD only)
A 2 CD recording containing 28 songs from 2 separate concerts in Correctionville & Sioux City, Iowa in 1967.
George Larvick: Bass & Vocals
Brad Larvick: Drums
Brad Miller: Guitar
Tommy Bolin: Guitar
Steve Bridenbaugh: Keyboards
Dave Stokes:Vocals #1
Mike Schwarte: Vocals #2

Tom was eventually fired from ‘A Patch Of Blue’ for turning up his guitar too loud to upstage the other band members. Tom was recruited to play in the Sioux Falls band ‘The Chateaux’ as mainly a Keyboardist and 2nd guitar player to John Bartle.

*The Chateaux: 1967 (fall)
Sioux Falls, SD.
Bob Ellison: Vocals & Bass
John Bartle: Lead Guitar
Tommy Bolin: Keyboards & Guitar
Bobby Berge: Drums
David Napier: Saxophone

One night in Dec ’67 Tom took off with a friend to move to Denver to stay with former band mate Brad Miller. David Napier: “The 1st time I heard of that Bolin kid was he didn’t show for a gig, I got a call from Ellison to fill in, boy was Bob pissed”
Bolin had moved to Denver & happened upon the local band ‘Crosstown Bus‘ rehearsing in a basement, Tom asked if he could sit in. Eventually Tom & Jeff Cook formed ‘American Standard’ named after the toilet manufacturing company. It is also about this time that Tom went back to being called Tommy.

*American Standard:1968 (spring)
Denver, CO.
Jeff Cook: Vocals
Tommy Bolin: Guitar
Terry Knieff: Bass
Michael Lothamer: Drums

Tommy had met John Feris in Cincinnati, after backing Lonnie Mack, earlier in the year of ‘67, the 2 moved to Boulder & formed ‘Ethereal Zephyr’ Candy & David were in ‘Brown Sugar”’the 2 bands united & became ‘Zephyr’ with Chamberlain on drums at 1st, then later replaced By Berge of ‘The Velaires’. Tommy at this time was using a Gibson SG to quote “Get that sound”.


*Zephyr: 1968- 1971 & 1973

Boulder, CO.
“1st Album” Probe/ABC-1969 (LP, 8Track & CD)
“Going Back To Colorado” WB-1971 (LP, 8Track, Cass & CD)
“Live @ Art’s Bar & Grill” TBA-1996 (CD only) 2 May 1973 reunion concert.

Tommy Bolin: Guitar
John Feris: Organ
Candie Givens: Vocals
David Givens: Bass
Robbie Chamberlain: Drums #1
& Bobby Berge: Drums #2
“ZEPHYR”: Purple Pyramid- 2014 (CD only) Boxset re-mastered 1st album, 2nd CD is “Live Cuts: 1969-73” & 3rd CD “19 Jun 1973 in Boulder @ Tulagi’s

There was a Promo Video shot for a 3 min. version “Hard Chargin Woman” as well as footage of ‘Zephyr ‘on “Turn On TV” from 1970, performing “St. James Infirmary”

This is around the time Barry Fey became a real influence on Tommy’s life, right up until his death. This is also about the time Tommy met Mike Drumm who worked at a recordstore & helped Tommy buy a reel to reel tape recording deck so Tommy could record his demos. ‘Zephyr’ toured & performed on the same bill as bands like Led Zeppelin & Jimi Hendrix Experience. Their 2nd LP was produced by the legendary Eddie Kramer. In mid ’73 the band reunited for several concerts.

Bolin & Berge left ‘Zephyr’ in May ’71 to form ‘Energy’ a Jazz-Rock-Fusion band. This band was not able secure a record deal, while they did not release an LP while they were together several CDs have been released of their musical efforts. Jeremy Steig was the Flute player in the band originally, Steig had an LP titled “Energy” in 1970 on Capitol Records, & this is where Bolin took the name from. At this time Tommy was using a 1962 Gibson EMS-1235 Les Paul Double Neck , owned by Joe Walsh, with Hi Watt Amp Heads & Sound City Bottoms.

*Energy: 1971- 1972 & 1974
Boulder, CO.- Sioux City, IA.
“The Energy Radio Broadcasts 1972” TBA-1998 (CD only) 2 separate radio broadcasts from Denver.
“Energy” TBA-1999 (CD only) 2 demo recording sessions & a soundtrack recording.
“Tommy Bolin & Energy: Live” in Boulder 1972 & Sioux City 17/18 Dec 1972 TBA-2003 (CD only).
“Glen Holly Jams: Vol 1” TBA-2004 (CD only) Jam sessions @ Glen Holly Studios from 1972- 1974.
“Raw” PPR-2014(Jan-2014: CD only) more Jam Sessions from 1972- 1974.
“Live at Ebbets Field” 1974 TBA-1997 (CD only) Reformed “Energy” concert 3 Jun 1974.
“Live at Ebbets Field 1974 Vol. 2 (Alternate Takes)” (CD only) reformed “Energy” concert 4 Jun 1974.
Tommy Bolin: Guitar & Vocals
Bobby Berge: Drums
Stanley Sheldon: Bass
Tom Stephenson: Keyboards #1
Jeremy Steig: Flute
Gary Wilson: Vocals #1
Jeff Cook: Vocals #2
Max Carl Gronenthal: Keyboards & Vocals #2-3
Russell Bizzet: Drums #2
Archie Shelby: Percussion

When Tommy left the ‘James Gang’ in mid ’74 he re-formed ‘Energy’ & played a few shows before he began work on his 1st solo LP.
While Tommy was struggling to make ‘Energy’ successful he got a call from Billy Cobham formerly of: ‘Mahavishnu Orchestra’ to be the guitarist on Cobham’s 1st solo LP “Spectrum” This LP lead the way for Jazz Fusion music embraced by the likes of; Jeff Beck.


*Billy Cobham: 1973

“Spectrum” Atlantic- 1973 Oct (LP, 8Track, Cass & CD).
“Rudiments: The Billy Cobham Anthology” WEA-2004 (CD only) “Spectrum” Out-Take “All For One”.
Billy Cobham: Drums
Tommy Bolin: Guitar
Jan Hammer: Piano- Synthesizer
Lee Sklar: Bass

Shortly after Tommy’s work on “Spectrum” Joe Walsh who frequently jammed with Bolin in Boulder, suggested Tommy to be the new guitar player in ‘James Gang’. Tommy literally breathed new life into the band, writing almost all the materiel for 2 studio LPs. As Tommy entered the ‘James Gang’ he was using a Fender Tele-Strat, something his roadie Dave Brown came up with, a Telecaster neck on a Stratocaster body, Tommy actually had 2 of these, a Brown one & a White one.

*James Gang: 1973- 1974
“Bang” Atco-1973 Sep (LP, 8Track, Cass & CD) ”Must Be Love” #54 on Billboard 6 Apr 1974.
“Miami” Atco- 1974 Jul (LP, 8Track, Cass & CD).
“Snapshot” TBA/ Cleopatra-1999 (CD & LP) James Gang Demos.
Jim Fox: Drums
Dale Peters: Bass
Roy Kenner: Vocals
Tommy Bolin: Guitar & Vocals
There is video footage of ‘James Gang’ from Don Kirshner’s “Rock Concert” 23 Feb 1974: Walk Away, The Devil Is Singing Our Song, Ride the Wind, Funk #49 & Standing In The Rain.

While Tommy was still in the ‘James Gang ‘in Jul ’74 as a favor to Jim Fox, Tommy played on The “Rainbow Canyon” LP. Tommy ended up leaving ‘James Gang’ because of personal & musical differences; it was Bolin’s intent to re-form ‘Energy’

*Rainbow Canyon: 1974
“Rollin in the Rockies” Capitol-1974 Aug (LP & 8Track) James Gang: Jim Fox project w/ Tommy on: “The Invisible Song” . A 45 Single was released of this song.
Between bands Tommy was hanging in L.A. working on demos for his own Solo LP (Teaser) Bolin did some session work for ‘Coven”’ Tommy sited this band as an early influence on him, there is some discrepancy on Bolin’s involvement on these recordings from; he was asked to join the band to he was just hanging out partying. Tommy was also working with Mike Finnegan in Aug 1974 & Dr. John in Dec 1974 at this time.

*Coven: 1974

“Metal Goth Queen-Out of the Vault” 2008 (CD only)
Tommy on “Black Swan” 1974

*Alphonse Mouzon: 1974 (Dec)
Bolin had sat in & jammed with Mouzon & Coryell in Boulder sometime in late ’74, leading to Mouzon booking time @ Glen Holly Studios in Oct ’74. With Bolin & Sheldon, a CD was released of this session.

“Mind Transplant” Blue Note-1975 (LP, 8Track, Cass & CD).
“Tommy Bolin & Alphonse Mouzon Fusion Jam” (1974 Oct) TBA-1999 (CD only) the rehearsal session for “Mind Transplant”.
Alphonse Mouzon: Drums, Vocals, Keys
Tommy Bolin: Guitar (solo 2, 3, 7, 8, 9)
Jerry Peters: Keyboards
Henry Davis: Bass
Tommy happened to be in NYC when Roland Paquin, who was the former manager of ‘James Gang’ & now the current manager of ‘Moxy’ recommended Bolin to record Lead Guitar on 6 songs in the place of Earl Johnson. Tom Stephenson also plays Keyboards on this LP.

*Moxy: 1975:
“1 (black)” Polydor 1975 (summer in Can) 1976 Mercury (US) (LP, 8Track & CD).

In Jun ’75 Tommy was hired to fill in for the recently departed Ritchie Blackmore in ‘Deep Purple’ Tommy’s contract allowed him to have solo LP at the same time, Bolin wanted a solo career but, Tommy could not resist the status & money that “Purple” offered him. Tommy recorded 1 studio LP & 1 Concert LP & a world tour before the band broke up in Mar ’76 as Lord & Paice did not want to continue the band & Coverdale was unhappy with Bolin’s behavior. While Tommy was in “Purple” he began using Dave Brown’s Gibson Les Paul Standard with the American Flag Pickguard, as he wanted to set himself apart from Blackmore.

*Deep Purple: 1975- 1976
“Come Taste The Band” WB-1975 Oct (LP, Reel, 8Track, Cass & CD) the only studio LP with this lineup.
“Last Concert in Japan” WB/Purple 1977 Mar (LP, Cassette & CD) official LP released after Tommy’s death.
“On The Wings Of A Russian Foxbat”
THBWM-1808 Bootleg LP of 27 Feb 1976 Long Beach. The Original Radio Broadcast of the “King Biscuit Flower Hour”
Burn
Smoke On The Water
This Time Around
Highway Star
Not Fade Away
Mistreated

“Days May Come and Days May Go” (The California Rehearsals Vol. 1) DPR-2000 (CD only).
“1420 Beachwood Drive” (The California Rehearsals Volume 2) DPR-2000 (CD only) Bolin’s audition part 2.
“This Time Around: Live in Tokyo” DPR-2001 (CD only) complete 15 Dec 1975 Tokyo concert.
“King Biscuit Flower Hour Presents: Deep Purple in Concert” KBFH-1995 (CD only) 27 Feb 1976; Long Beach, CA.
“On the Wings of a Russian Foxbat” Live in California ’76 (1995) (CD only) Import version of: 27feb76 concert.
“Deep Purple: Extended Versions” BMG-2000 (CD only) 26 Jan 1976; Springfield,Mass.concert. ”Come Taste The Band: 35th Anniversary Edition” EMI Import- 2010 Remixed & Expanded (4 bonus tracks)Version of this LP (CD only)
“Last Concert In Japan: Remaster” Friday Music- 2012 (CD only)
A VHS (only) “Rises Over Japan” contains video footage of; Smoke On The Water, You Keep On Moving, Burn, Love Child & Highway Star, & is now on DVD.

“Phoenix Rising” Eagle Rock- 2011 (DVD/cd & Blu-Ray)

When Tommy would go home to Sioux City to visit, after spending time with his family, Tommy would call up his childhood musician friends & they would play one-off or several gigs under the name ‘The Gassers’ 1 concert CD was released from these shows. Tommy was using a tobacco sunburst Fender Stratocaster with a small headstock around this time.

*The Gassers: 1975 & 1976
Sioux City- Sioux Falls
“Live at the Jet Bar” 24 Nov 1976 TBA-2004 (CD only).
Johnnie Bolin: Drums
John Bartle: Guitar #1
Roger Rothwell: Bass, Guitar
Archy Shelby: Percussion
George Larvick: Bass #2
Scott Isaacson: Bass #3
Butch Porter: Guitar #2
Mark Craney: Drums #2

Barry Fey was able to get Bolin signed as a solo artist in Apr ’75 with Nemperor Records. Tommy began sessions for his 1st solo LP in Jul- Oct ’75 ”Teaser” was originally planned to be “A” side with Vocals & the “B” Side Instrumental. Tommy began his tour for “Teaser” in Apr ‘76; unfortunately Bolin was dropped from his record label in May ’76 when he nearly fell of the stage (due to intoxication) at a show in NYC. Fey managed to get Bolin signed to Columbia Records sometime in Jun ’76 then recording began for Tommy’s 2nd solo LP “Private Eyes” Bolin was using an Ibanez Explorer (which was stolen from a bingo hall here in MPLS in 1980).

*Tommy Bolin Band: 1974 & 1976
“Teaser” Nemperor/CBS-1975 Nov (LP, 8Track, Cass & CD).
“Private Eyes” CBS-1976 Sep (LP, 8Track, Cass & CD).
“Whips & Roses: 1 & 2” -2006 (CD only) Master Alternate Recordings for “Teaser” remixed with other tracks.
“Teaser Deluxe” 2011 (CD only) Remixed from the master tapes with a bonus track.
“Teaser: Definitive Collector’s Edition” (5 CD Boxset) 429 Records-2012 (CD only) the Entire “Teaser” Sessions.
“Naked” TBA-2000 (CD only) 2 CDs of 36 acoustic demos.
“Naked II” TBA-2002 (CD only) a 3rd CD of 18 acoustic demos.
“Tommy Bolin Band Live” TBL- 1994 (CD only) 9 song concert compilation.
“First Time Live” 28 Apr 1976 Calif. TBA-2000 (CD only) “Teaser Tour”.
“Alive on Long Island” 22 May 1976 2003 (CD only) “Teaser Tour”.
“Live in Albany 19 Sep 1976” TBA-2001 (CD only) “King Biscuit Flower Hour” broadcast (w/ B.O.C.).
“Live In Albany” 20 Sep 1976 & 16 Nov 1976 New Orleans TBA-2004 (CD only) Soundboard concert recording.
“Live at Northern Lights Recording Studio” 22 Sep 1976 TBA-1997 (CD only) radio WBCN broadcast.
“In His Own Words” (5 Interviews from Sep- Nov 1976) TBA-1997 (CD only) An in depth interview with Tommy telling his own story.
“Live in Miami at Jai Alai: The Final Show” 3 Dec 1976 TBA-2002 (CD only) Tommy’s last concert performance.

The Tommy Bolin Band consisted of:
Norma Jean Bell: Saxaphone
Mark Stein: Keyboards #1
Reggie McBride: Bass #1
Narada Michael Walden: Drums #1
Bobby Berge: Drums #2
Jimmy Haslip: Bass #2
Johnnie Bolin: Drums #3
Max Carl Groenthal: Keyboards #2
Mark Craney: Drums #4

When Tommy died he was working on material for a 3rd solo LP (“Whips ‘N Roses”), Bolin was in negotiation to open for ‘Fleetwood Mac’ on their upcoming “Rumors” Tour, 1 song “Faded Satin Lady” from the 3rd LP was released by: Max Carl Groenthal on “Whistlin In The Dark” 1979 Chrysalis. Bolin was using a 1974 black Fender Stratocaster at this time. Tommy had left behind some 60 reels of unreleased recordings, many of these were released on The Tommy Bolin Archives Series By: Mike Drumm & Johnnie Bolin, the titles are listed below:

“Fever” Miller Music-1997 (CD only) an 11 CD Bootleg Boxset an all encompassing collection on Tommy’s career.
“The Ultimate: Box Set” Geffen-1989 (LP, Cass & CD) a 2 CD Retrospective Boxset of Tommy’s career.
“From the Archives Vol. 1” Rhino-1996 (CD only) an out-takes compilation.
“The Bottom Shelf” TBA-1997 (CD only) another out-takes collection (vol.2).
“From the Archives Vol. 2” TBA-1998 (CD only) a 3rd out-takes collection.
“Come Taste the Man” TBA-1999 (CD only) a sampler CD of the many “Tommy Bolin Archives” CDs.
“Come Taste The Man: Vol.2” TBA-2000 (CD only) a 2nd sampler of the many “Tommy Bolin Archives” CDs.
“The Ultimate Redux” :SPV-2008 (CD only) a 3CD retrospective boxset of the “Archives” series.
“Whirlwind”: Cleopatra-2013 (CD & LP) a brand new collection from the “Archives” series.

Tribute CDs:

“1997 Tribute Concert”: TBA-1998 (CD only) Glenn Hughes & Johnnie Bolin Concert Tour CD.
“Mister Bolin’s Late Night Revival”: Rainbow-2010 (CD only) re-workings of unreleased Tommy demos.
“Great Gypsy Soul”: 429 Records-2012 (CD only) a guest tribute CD with other famous guitarists playing along with Tommy’s recorded tracks.

There are currently 4 books (2 in English & 1 in Japanese & 1 in French) on Bolin. Tommy Bolin “Touched By Magic” 2008
& Deep Purple: “Gettin Tighter” 2008
As well as these Authorized Websites
www.TBolin.Com & www.TommyBolin-official.com & http://www.TommyBolin.org & http://www.rocklegendmerch.com/

Dedicated to: Johnnie V. Bolin, Greg Hampton, Mike Drumm, Willy Dixon & Brad Miller for keeping Tommy’s music alive all these years ….
This is an Excerpt from My Book On: Tommy Bolin “Post Toastee” (Copyright 2014 MrZERo Inc.)

By: RLSchwinden
c/o Mr. Zero’s Inc.
*Est. 2009
www.MrZeros.Com
1744 Lexington Ave. N.
Roseville, MN. 55113
651. 489.0207

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Mr Zeros Top Christmas Songs

Christmas @ Mr. Zero's Inc.

Christmas @
Mr. Zero’s Inc.

“Everywhere It’s Christmas”
Mr. Zero’s Top Christmas Songs
“BUZZ” Newspaper Article: December 2013 (#33-xS)

When I was a kid I loved Christmas & I Especially loved Christmas Music, so did my Little Sister Carrie, I remember she would listen to Christmas Music in Aug, on a little tape recorder passed down from her oldest Sister Michelle. So as I have being selling music for over 35 years, I thought I would cover my favorite Christmas songs & the formats in which they were released, as I was just reminded by a customer, that most of these great Christmas songs were not released on full length LPs, but instead usually on a 45 Single, then later as a bonus track on a CD that was closest to the time that Xmas song was recorded.

“Little Drummer Boy” Harry Simone Chorale: 1958 on LP. From the Claymation film of the same name, I loved this show as a kid.

“Rockin’ Santa Claus” The Martels: 1959 a 45 & then on CD “Cool Yule” 1988, a great R&B tune, I love the bass vocal in this song.

“(I Want a) Rock and Roll Guitar” Johnny Preston: 1960 a 45 & then on CD “Cool Yule” 1988 the 50s dialect is priceless. “Man, I don’t want no dump-truck, I want something that swings” he also did “Leave My Kitten Alone”

“Riu Chiu” The Monkees: 1967 released on “Missing Links 2” 1990 CD/Cass, this song was used in the only Monkees Christmas episode & not released until 23 years later. Sadly this version does not have David Jones on it, but Chip Douglas in his place. It’s a 15th century Spanish balled.

“A Christmas Song” Jethro Tull: 1968 a 45 Single & then on “Living In The Past” 1972 LP/8Track. An unbelievable track from these prog-rockers, one of my all time favorites. I feel this band is grossly under rated.

“Yesterday’s Christmas” Bobby Sherman: 1970 LP/CD. This song totally captures what it was like to be a young kid in the early 70’s, once a popular teen idol, he is largely forgotten today.

“Happy Xmas (war is over) John Lennon: 1971 a 45 & then on “Shaved Fish” 1975. Com’on its Lennon for crying out loud. Yoko has the B-Side “Listen the Snow Is Falling”.

“Miss Christmas” Energy w/ Tommy Bolin: 1972 “Energy” CD. Some of you may not know Tommy Bolin is from my home town Sioux City, Iowa. I have written many articles on him, & still trying to finish up a book on him.

“Christmas Eve Can Kill You” Everly Brothers: 1972 “Stories We Could Tell” LP. When I was a baby my Mom took a photo of me, with an Everlys LP in the background, many years later I was able to get that same LP autographed by both Phil & Don.

“Step into Christmas” Elton John: 1973 a 45 Single & then a bonus track on “Caribou” 1995 CD. I 1st heard this song on a promo only CD sampler I got in L.A. at a work function. I remember thinking back in 1993 someday kids will not understand the line “Hop aboard your turntable, step into Christmas with me”

“Merry Christmas Everybody” Slade: 1973 a 45 Single. As a 45 this sold 1 million copies, & started off the UK tradition of the race for the #1 spot on the chart for Christmas in the UK. My old boss Marc H. turned me onto this song.

“I Believe In Father Christmas” ELP a 45 in 1975 By: Greg Lake then re-recorded By: ELP & released in 1977 on “Works Vol. 2” LP. I really feel this song sums up the whole Christmas experience for me. I still remember sitting in my Grandma Marge’s living room looking at the tree & hearing this on the radio.

“Christmas Is My Time Of Year” The Monkees (Dolenz, Jones & Tork): 1976 a 45 & on the CD “Cool Yule 1988. In the mid-70’s the pseudo 1st Monkees reunion took place in the form of “Dolenz, Jones, Boyce & Hart” in late ’76 they released this Xmas 45, which lead to me one of my best friends in the Record Biz (Ace-High Records), he was a DJ in a local club & I sought him out to get a copy from him.

“Father Christmas” Kinks: 1977 a 45 then in 1986 on “Come Dancing” LP/Cass/CD. This song is so cool I asked the Glam Band I was in (Palace Guard) back in 1985 to do this song in our regular set.

“Wonderful Christmastime” Paul McCartney 1979 a 45 & then a bonus track on the 1993 CD “Back To The Egg” as before, com’on it’s McCartney, the B-Side was a weird instrumental that McCartney is known to do from time to time.

“Dead By Christmas” Hanoi Rocks: 1981 a 45 then on the 1982 “Self Destruction Blues” LP/CD. This band really influenced our Band “PALACE GUARD”

“2000 Miles” The Pretenders; 1st a 45 in 1983 then in 1984 on the LP “Learning To Crawl” I never really got into this band but this a great song.

“Thank God It’s Christmas” Queen: 1984 a 12″ EP Single & a 45, then on the 1999 CD “Greatest Hits 3” My buddy Pat (the Drummer of Palace Guard) was a huge “QUEEN” fan & used to get all the rare Import Singles etc. & introduced me to this song. Another great Non-LP Track was “2 Sharp Pencils”

“That Spirit of Christmas” Ray Charles: 1985 LP/CD. I heard this LP when it came out, it didn’t grab me until this song was used in the film “Christmas Vacation” years later.

“It Wasn’t His Child” Sawyer Brown: 1988 CD “Wide Open” this was the opening track to a charity CD a friend gave me because Dolenz of The MONKEES was on the same disc. It really hit home for me, as I was not my Step- Dad’s child but he loved me like a son.

“Christmas Vacation” Mavis Staples: 1989 Paisley Park Promo Only 45, eventually released on “Ultimate Christmas Vol.3” CD only in 1996. The opening song to the film. I made a cassette recording from a VHS, so I could listen to this song. This was not commercially released back then because there was trouble between PRINCE & WB, in retaliation WB messed with several of the Artists PRINCE was working with, Mavis ended up being one of them.

“I Heard The Bells” Suzy Boguss: 1988 Promo only CD Single. This was a CD Single released only to Radio Stations. Customers drove us crazy that year coming in droves to buy it, when it was not available. I eventually got a copy from the record label.

“I Believe In You” Sinead O’Connor: 1992 “Very Special Christmas 2” CD/Cassette. Being Irish I was interested in the artist even if she was bald … I heard this tune & thought this is great, well of course it is, Dylan wrote it.

“Kidnap The Sandy Claws” 1993 “Nightmare Before Christmas” I got turned onto this song from a co-worker John Z. he played it for me & laughed my head off. “Beat him with a stick”

“Christmas Is My Time Of Year” The Beatles: 1967 on the “Free As A Bird” 1995 CD Single. I 1st heard this song on a Bootleg LP in High School. This song was re-mixed for a CD Single only for The BEATLES “Anthology” series.

“Rudolf Red Nosed Reindeer” Smithereens: 1995 “Attack Of The Smithereens” CD. I got this song off of some sampler CD that came in at Xmas time that year, turns out it was on this CD by the band.

“River” Ann Nancy Wilson: 1995 “Road Home” CD/Cass. This is a Joni Mitchell song that had been around for awhile, I did not discover it until years later, I was going to see HEART in concert & was playing all their CDs that I owned.

“Looking for Christmas” Clint Black: 1995 “Looking For Christmas” CD/Cass. I was working for WorstBuyz when this came out & we were doing some sort of promotion for the new CD. I really liked this 1st song.

“Happy Holiday” Enuff Z’nuff: 2003 “We Wish You A Hairy Christmas” CD. I was never really into the “Hair Metal” scene or specifically this band but I heard this & really thought this one was great.

“Washington Square” Chris Isaak: 2004 from the CD “Christmas” I love Chris’ music, & this song especially. He had a great TV show in the early 2000s.

While there were millions of Christmas albums recorded, most were by Easy Listening, Vocal or Big Band Artists, then eventually artists aimed at a younger audience, ex. Brady Bunch Kids, Jackson Five, New Kids On The Block, etc. recorded Xmas albums as a quick cash-in on their fleeting fame, most Rock or Jazz Artists, usually, only did a song or 2. Music History Trivia: back in the late 80s & early 90s most Christmas Music was sold in Minnesota or Iowa, more so than most other states combined.

So here are a few of my Favorite Christmas Albums:

Dean Martin “A Winter Romance” 1959 Capitol, I always loved Dean’s voice, I know most prefer Frank, but I like Deno.

Jackie Gleason: “Merry Christmas” 1962 Capitol, this promo CD came in, in 1989, I just loved it, it was the 1st commercial album to use the instrument the celeste which along with vocal choir surely inspired Danny Elfman on works such as “Edward Scissorhands”

Paul Revere & Raiders: “A Christmas Present And Past” 1967. Band leaders Paul Revere & Mark Lindsay found themselves with yet another band change in 1967, so to fill the gap they recorded a Xmas album with the new band, as the Raiders considered themselves a musical comedy group there are several bits this that were meant to be humorous that ended up being a little un-enjoyable.

Osmonds: “We Sing You A Merry Christmas” 1962 & “Christmas Album” 1976. In the 70s the Osmonds were huge, the 1st Xmas LP they did as barbershop quartet & the 2nd as a whole family singing group.

The Beatles: “From Then To You” UK 1970 Apple LP. Turns out The BEATLES would release a Flexi- Disc to the members of their fan club in the UK, from 1963- 1969, so 7 in total, when they broke up in 1970 their final release was to the fans an album of all 7 Xmas Flexi-Discs on one LP. This was released in the USA the following year. Trivia: Tiny Tim was the only outside artist to appear on this Xmas LP, the 1968 “Sixth” record.

Partridge Family “Christmas Card” 1971 Bell/ Arista LP & 8Track. When I was a kid the MONKEES had ended & in the wake The Partridge Family was created, 60% of the Musical staff went from 1 project to the other, so it only makes sense I would have liked this kind of music too.

Best of Cool Yule: 1990 Rhino CD. The record label Rhino started out as a compilation/ re-issue label, in many cases such as this one, putting several 45 singles not on any other album, all on 1 CD. This one has many 50s songs together a great listening experience overall.

Davy Jones “It’s Christmas Time Again” 1991 Cassette. The MONKEES 80s reunion ended in Sep 1989; however Jones never stopped working as an entertainer. In the late 80s into the 90s Jones had his own record label; Hercules, (manufactured by Capitol) he put out several releases on cassette only.

So there you have it folks, my final installment for 2013.
I would like to add this article, as with all my submissions is/are written from my perspective, experience & my own preferences. As I learned the hard way, in some way we are all very different, and in some ways we are all very much the same. So stay true to yourself & dig what you’re into …

I would like to thank Izzy Presley & Don Anger for getting me this gig. Izzy just played a show with “ACK” & Izzy was kind enough to let me do a song with him & my other band mates Pete & Mick.

“So Garry Crimble to you, Bette Davis …me too”

RLSchwinden aka MrZERo

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